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Eye in the Sky

18 Mar

Gavin Hood’s Eye in the Sky is a taut, real-time thriller that gets at the complex politics of drone warfare as agents on opposite sides of the ocean debate what is and is not acceptable collateral damage given a time-sensitive strike against a terrorist cell. Best known for the Academy Award-winning, South African gang tale Tsotsi, Hood and his writer Guy Hibbert create something that’s both intricate and delicate. Ultimately, Eye in the Sky is best described as a fusion of a staged play and spy thriller.

The action takes place in four locations around the globe, with the focus being a terrorist hotbed in Nairobi where a Western convert masterminds the next wave of bloody disruption. In a dark and cavernous military post somewhere in England, Col. Katherine Powell (Helen Mirren) oversees Operation Egret, an effort to extract a young Englishwoman (Lex King) who has joined the Al-Shabaab terrorist group. Elsewhere, Kenyan Special Forces on the ground sit on the ready to move in as a drone — piloted by U.S. serviceman Steve Watts (Aaron Paul) from a cramped military facility in the vast Nevada desert — watches from above. The Brits and Kenyans hang onto Watts’s feed while an indigenous informant (Barkhad Abdi) maintains street-level surveillance with short-range animatronic drones launched from a parked van.

It’s a basic nab-and-grab gig until the target leaves the house in a shroud so they can’t get a positive ID and moves to a well-guarded compound akin to the one Osama bin Laden was taken in. Soon, a larger plot to bomb a public marketplace emerges and the focus of the mission switches from a capture to a kill operation. Continue reading