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Racism hits local restaurant

23 Nov

Urban Hearth’s outdoor John Lewis mural vandalized Monday in ‘obvious hate crime’

By Tom Meek
Tuesday, November 17, 2020

It’s been tough for restaurants recently with shortened hours, colder temperatures and perhaps another shutdown looming. Adding to the woes for Urban Hearth, the young nouvelle can-do north of Porter Square on Massachusetts Avenue, was an act of vandalism Monday that owner and chef Erin Miller described as “an obvious hate crime.”

“I’m absolutely gutted,” Miller said. The eatery’s cozy sidewalk pavilion, which I visited for a meal in August, had been since adorned by a mural enshrining recently passed civil rights icon and longtime Georgian lawmaker John Lewis, the subject of the 2020 documentary “Good Trouble.” The full-length alfresco design by local artist Rocky Cotard, commissioned by Miller and finished in early October, was marred by black spray paint in the middle of the night. To get to the images, the vandals had to get past dense pilings of furniture.

“Do not turn away from this … It is a violation of all that is decent, good and hopeful in our world,”Miller said online.

Miller said the police were beginning an investigation; it was unclear if there were cameras nearby that might have video helpful in the matter.

On Wednesday, police said several businesses in the 2200-2300 block of Massachusetts Avenue had been vandalized late Monday or early Tuesday, suggesting the vandalism was not exclusively targeted at the mural. Detectives are following up and looking for video evidence, said Jeremy Warnick, director of communications and media relations for Cambridge police.

While the Hearth has shut down the patio temporarily, the restaurant remains open for takeout.

I am Greta

25 Oct

‘I Am Greta’: Young environmentalist speaks; Whether we listen lies beyond director’s lens

By Tom Meek
Friday, October 23, 2020

The documentary “I Am Greta,” about teen environmentalist Greta Thunberg and the lengths she goes to spotlight the climate crisis, is a testament to commitment and passion. It’s also a film that feels like it only scratches the surface about its subject, her family and, more so, her cause.

The film centers on Thunberg’s Atlantic crossing in a carbon neutral yacht to give a speech to the United Nations’ climate summit in New York. She won’t fly “because of the enormous climate impact of aviation.” Filmmaker Nathan Grossman tags along, but first sets us up with some of Thunberg’s grassroots activism, including sitting on streets with signs calling out global plunder by carbon-consuming corporations and world powers. We also get a smattering of barbs from Trump, other globally positioned strongmen and climate change deniers – whose pockets Thunberg would say are lined by big carbon – disparaging the young activist. One talking head even digs in on Thunberg’s Asperger’s, tagging it as a flaw and dismissing her as a young girl with a weakness. Thunberg says the neurological condition allows her to “see through the static,” and seems to handle the pressure pretty well. She’s also a kid, and there are plenty of scenes with her and her father (the mother remains largely offscreen), who accompanies her to most of her speaking engagements. Grossman has quite intimate access to their interactions, even when Thunberg, in a dour mood, won’t get out of bed at her dad’s behest.

What will probably most enlighten the audience is Thunberg’s fiery eloquence. Half of it’s in her native Swedish, but when Thunberg gets up before the UN speaking in English, it’s sharp, well-honed rat-a-tat rhetoric: “I want you to panic, I want you to act as if the house is on fire” and “humanity sees nature as bottomless bag of candy” and some generation shaming (“You’ve stolen my dreams and my future, how dare you!”). It’s there finally that the film does something to take up Thunberg’s cause, serving up the hard reflection of one generation putting the next in jeopardy.

Grossman’s style for the most is Frederick Wiseman-like, fly-on-the-wall. It’s captivating to let Thunberg be herself and us observe quietly, but from an insight and understanding perspective there remains a frustrating remove. It’s Thunberg in the end in the end who punches through. She’s heard, but did the world listen?

Bountiful Kitchen

22 Oct

Bountiful Kitchen, sprung from a pandemic, nurtured into a healthy meal delivery service

By Tom Meek
Tuesday, October 20, 2020

Julian Cohen and executive chef Keenan Goodwin prepare meals for Bountiful Kitchen at Foundation Kitchen in Somerville. (Photo: Tom Meek)

Covid’s done much to fracture the restaurant business. There’s been a slew of permanent closings (Cuchi Cuchi, Flat Top Johnny’s, Bergamot and Inman Square’s Bukowski Tavern, among many) and with winter hibernations coming and Covid-19 infection rates on the uptick, silver linings are slim. But they do exist. During the spring, the Day reported on early business pivots by Pagu and Season to Taste as well as the launch of Bountiful Kitchen, a home delivery meal service. In April, Bountiful founder Julian Cohen was cooking out of a home kitchen and delivering hot meals to a boutique clientele in his Porter Square neighborhood, but taken the business to the next level, expanding his menu and delivery routes to include all of Cambridge, Somerville, Arlington and select Boston neighborhoods. He’s also hired executive chef Keenan Goodwin, formerly of Fat Hen in Somerville, and moved to a formal commercial kitchen facility at the Foundation Kitchen on Washington Street, on the way to Sullivan Square.

Foundation Kitchen is a rentable shared space – a food startup incubator. Husband and wife owners Ciaran Nagle and Tara Novak have two locations (the bigger facility is in Union Square) and a third in the works for Charlestown that will have a food and drink hall. The facilities gives people who want to enter the food business an easy leg up without having the huge financial burden of a storefront, a long-term lease and sunk equipment costs, Nagle said.

Bountiful Kitchen’s BBQ Turkey Breast with Old Bay Potato Salad. (Photo: Julian Cohen)

That makes sense for a scrappy business such as Bountiful. Cohen, a former barista and food preparer at Hi-Rise Bread Co., started the service on a whim after being laid off, while Goodwin was left out of the rotation when a slimmer Fat Hen reopened.

They’ve since evolved the menu at Bountiful toward a more symphonic complement of foods and flavors, Cohen said, as opposed to the early scramble, when things were assembled based on what was on hand. There’s now more collaboration and planning between owner and chef, and the two try to source all their foods locally.

Recent and current Bountiful Kitchen offerings in the $15 to $25 range include beef bolognese, crab-stuffed squash, brown sugar crusted salmon, lemon grass and coconut chicken stew, yellowfin tuna loins and roasted pork loin. There’s always a vegetarian option and sides, such as butternut squash soup and parmesan roasted Brussels sprouts. Like other delivery/to-go food services these days such as Hi-Rise and Pagu, Bountiful has pantry offerings; it also has wine pairings, which come through a partnership with The Wine Press. The wine comes with your meal. Delivery happens between 6 to 7 p.m. and the menu rotates daily.

Cohen and Goodwin do more than 120 meals a week – up from around 80 when Cohen launched – and plan to keep expanding. If you’re not on their delivery heat map, you and some neighbors can fill out a form to be added; Cohen said he is deeply customer driven. Most of his weekly queue are regulars who keep coming back.

“The food’s always cooked to perfection,” said Rachel Joffe, a Bountiful regular. “Delivery is pleasant, they give you advance notice, and the delivery persons are nice. They have accommodated my need/request to have the food delivered on the early side, and I appreciate their flexibility.”

Bountiful Kitchen has a weekly newsletter to let subscribers know each week’s offerings. The menu is also updated on a website with easy ordering.

The Powerful Coe

1 Oct

Catching up with Charles Coe, an enduring voice where streetscape changes but race issues linger

By Tom Meek
Tuesday, September 29, 2020

Poet Charles Coe is the subject a film screening Wednesday as part of the 22nd Roxbury Film Festival’s opening night lineup. (Photo: Gordon Webster)

As noted in Sunday’s Film Ahead column, the 22nd Roxbury Film Festival kicks off virtually Wednesday, with “The Sit-In: Harry Belafonte Hosts the Tonight Show” by Yoruba Richen, about Johnny Carson stepping aside to let Belafonte host in the wake of race riots in the late ’60s, and the short “Betye Saar: Taking Care of Business” by Christine Turner.

What’s Cambridge-centric about the opening night lineup is the inclusion of another short: Roberto Mighty’s “Charles Coe: Man of Letters,” about the longtime Cambridge resident, poet and musician. If you’ve ever been to a Cambridge or Boston area poetry reading you’ve probably heard Coe deliver one of his truths in his signature baritone voice. Or you may have seen his recent photographic exhibit at the Boston Public Library, “What You Don’t Know about Me” (2018), or as part of Rashin Fahandej’s “A Father’s Lullaby” exhibit at the ICA last year.

Though Coe did not write poetry seriously until the 1990s and published his first collection, “Picnic on the Moon,” in 1999, to date he’s published three collections of poems, been a Boston artist in residence and earned an honorary doctorate – not bad for a guy who never got a bachelor’s degree.

“You know, I swear I was just buying notebooks and pencils with my mom for school,” Coe says, “and the I blinked and I’m turning 68.”

Coe, born in Indianapolis, dropped out of college and played bass in a rock cover band (Motown and Top 40) in Nashville, Tennessee, before making his way to Boston in the mid 1970s.


The trailer for Roberto Mighty’s “Charles Coe: Man of Letters”:Video Player00:0001:35


Before a nearly 20-year career at the Mass Cultural Council, Coe worked as a musician around the city and in the food industry. “I worked at a place called The Hungry Persian on Brattle Street,” Coe said.

It and every other eatery he named are no more. Being in the Hub for so long, Coe has seen a lot come and go.

And remain the same.

As a black man he’s experienced his fair share of infamous Boston racism, as captured in his poem “For the Ancient Boston Bar with Neon Shamrocks in the Windows, Recently Departed,” about an Irish bar where he was not welcomed. Coe said he was experiencing “great grief and dismay” anew over what is happening across the country. “Didn’t we fight those battles?” he asks incredulously. To Coe racism is like tuberculosis: “You think it’s contained and controlled, but you just need the right conditions for it to flare up. And that creature in the Oval Office is doing everything he can to set it off.”

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Wheel Good People

3 Sep

Wheel good people: Riders can see solutions from astride bicycle seats, and really deliver

By Tom Meek

The Agassiz Baldwin Community’s Phoebe Sinclair talks Friday with volunteer riders in the Cambridge Bike Delivery Program. (Photo: Raina Fox)

Efforts to address challenges such as Covid-19 and racial division and to better the community are zooming along on two wheels, undeterred by the death of bicyclist Darryl Willis in Harvard Square on Aug. 18. One effort, the Cambridge Bike Delivery Program, was set up at the onset of the pandemic to address the needs of at-risk elders and others with limited means; another, the Cambridge Bike Give Back Program, was launched in response to George Floyd’s murder in Minneapolis on Memorial Day and subsequent Black Lives Matter activities.

The Cambridge Bike Delivery concept grew organically among members of the Cambridge Bike Safety Group – an amalgam of local cyclists without any real hierarchy, assembled with the mission of advocating for safe streets in Cambridge – to make home deliveries of meds and groceries to seniors from Skenderian Apothecary, Inman Pharmacy, Pemberton Farms Marketplace and other stores without a delivery services. The logistics “proved to be tougher than anticipated,” organizer Rebecca Neuman said. “We had over 300 cyclists, but it was hard to line people up on dates and times.” Outreach to the elderly became something of a challenge as well, and the effort waned. But Neuman struck up conversations with staff at the Agassiz Baldwin Community Center and Margaret Fuller House, in The Port neighborhood. The Margaret Fuller House runs its own food pantry program, while the Agassiz Baldwin Community Center has just become an outpost for the Cambridge Community Center food pantry. Both programs needed volunteers to deliver food to the vulnerable, so Neuman set up a signup portal to coordinate riders with deliveries on the days the food pantries got shipments.

A rider sets out Aug. 25 with a delivery for the Cambridge Bike Delivery Program. (Photo: Tom Meek)

For each provider there are a dozen to several dozen deliveries on any given pantry day, coming three to four times a week. Neuman, who puts in a few hours each week to keep it all flowing, tries to keep the matches surgical and lean. The loads for the Margaret Fuller House are about 10 to 20 pounds of vegetables per delivery, bulky and heavy loads for which most riders employ a tagalong trailer or large food delivery bag, coordinator and director of finance and operations Cory Haynes said. The hauls from Cambridge Community Services range from frozen foods to baby diapers; one delivery rider recalled having to deliver an ice cream cake during high, humid 80-degree weather.

For the Agassiz Baldwin Community Center and Margaret Fuller House, the venture has been a natural and helpful fit that should carry on post-coronavirus, and Neuman is looking for other ways to use the volunteer army of riders – possibly reenabling curbside composting, which was suspended by the city during the coronavirus lockdown. (Though the mention of odor and stench trailing behind a hard-pedaling cyclist had Neuman and Haynes scrunching up their noses over a Zoom call.)

Bike Give Back

Lonnell Wells, right, put together his Cambridge Bike Give Back program after consulting with friends in the community. (Photo: Lonnell Wells)

The Cambridge Bike Give Back program was started just over a month ago by Lonnell Wells and a collection of friends he calls his “community.” Wells, distraught after Floyd’s murder, looked inward and talked deeply with them about what could be done to fix the country. The giveback program is “Plan B,” Wells said – “something to do for the kid who doesn’t have the bike to ride with their friends, the ex-con who just got a job who doesn’t have the money to ride the T, and a way for people to exercise when you can’t go to the gym.” The process is simple: Wells has taken to social media to ask for “broken old bikes” that he and his team piece together and give to those in need; jubilant photos from pickups and drop-offs are easy to find on social media. At the time of our sit-down, Wells estimated the program had collected more than 30 broken bikes and given back 17.

Wells grew up in The Port – “Area 4,” as he still fondly calls it – and graduated from Cambridge Rindge and Latin School, but now lives in Chelsea, has a 10-year-old son and works as a chef at Boston University. He refers to his post-work scavenging expeditions to gather bike carcasses as “demon time.” For the bike assemblies, Wells host parties, for which he does what he does: cooks. Partial to Southern food, Wells likes to make collard greens and sticky chicken, which is thrown back in the skillet with hot sauce just before serving.

Wells did not go into details about Plan A. “Not enough time,” he said at our meeting. But he expressed gratitude to the bike community at large, which he described as supportive of his project. Bike groups are also active in Black Lives Matter organizing: There have been three 800-person Ride for Black Lives through Greater Boston, organized in part by Crimson BikesBoston Bike PartyBikes Not Bombs and Spoke House, at a time organizers would not risk more casual rides. U.S. Rep. Ayanna Pressley kicked off the ride this past Sunday; there are also weekly MIT-to-Arlington Black Lives Matter rides on Sundays.

The project and scope of the Give Back venture is sure to grow. On Sunday, the program hosts a barbecue at Greene-Rose Heritage Park on Harvard Street near the Fletcher Maynard School. The flyer lists family-friendly scavenger hunts, voter registration and free food.

Is it safe to see a film in a theater?

2 Sep

Kendall Square Cinemas has reopened quietly, with fare such as ‘Tenet’ for up to 25 in theater

By Tom Meek
Tuesday, September 1, 2020

Two weeks ago, I penned a column about movie screens staying dark in Cambridge and Somerville because of the pandemic, even as AMC, ShowPlace Icon and other theater chains opened in and around Boston. Friday that all changed: the Landmark theater in Kendall Square had something of a stealth opening.

“Face masks at all times, limited seating and no concessions at this time, per state guidelines,” theater manager Howie Sandler said in an email. “Also we are cleaning throughout the day, and after each show we wipe down chairs. We have signs up all over the place stipulating masks and social distancing, and we have markers on the floor leading you to buy tickets.” (State guidelines actually allow prepackaged foods.)

The limited seating measures including every other row being blocked off in the bigger theaters, “and we ask folks to leave two chairs between them and another party. Smaller theaters have seats blocked off in each row to spread people out,” Sandler said. A maximum 25 people are allowed in the larger theaters, and 16 to 24 people in Kendall Square Cinemas’ three smaller ones.

For now, The Brattle Theatre in Harvard Square remains closed to public screenings but is available for private rentals – most of which have been to couples, according to the “Brattle Film Podcast.” Apple Cinemas in Fresh Pond also remains closed, like the Somerville Theatre in Davis Square and Harvard Film Archive.

The Kendall Square theater is playing traditional arthouse fare such as “The Personal History of David Copperfield” and “Tesla,” but also Charlie Kaufman’s latest “I’m Thinking of Ending Things,” which caught me by surprise, as my press kit says it’s coming to Netflix on Sept. 4. What’s also interesting is that this week Landmark will open “Tenet,” the latest big-screen extravaganza from Christopher Nolan (“Dunkirk,” “Inception”). It’s a shift for Landmark, though its sister theater Embassy Cinema in Waltham plays more mainstream box office fare.

Nolan’s film has been a sore point for critics; many say they won’t go to a theater yet and prefer to get screener links. No links were given out for “Tenet,” so if you didn’t go to theater-staged press screening, you did not see it. Some media outlets (including The Washington Post) won’t run reviews for theater-only releases; others (including The Boston Globe) that get screener links for theater-only releases will post a safety caveat. I’m still struggling with the “Do I review a film in the confines of my house and recommend it to you when you can only see it in the theater” conundrum. I missed the “Tenet” press screening due to a personal conflict, so if you see a review here from me, you’ll know I went to the theater just as you would. I have to say Sandler’s precautions at Kendall sound thorough – but it’s still an indoor space.

In response to this whole Covid-19, get-back-to-normal limbo, studios take different approaches. “Bill & Ted Face the Music” was released simultaneously theatrically and through online streaming (for $20). The live-action “Mulan” from Disney will be released this weekend on the conglomerate’s streaming platform Disney+ for $30.

A Most Beautiful Thing

29 Jul

Pulling together: Boston filmmaker tells story of first Black rowing team

Boston filmmaker Mary Mazzio’s documentary “A Most Beautiful Thing,” which recounts the travails of the first Black high school crew team in the country, was supposed to open in theaters back in March but the COVID-19 swell altered that and still holds a lingering effect on the film’s release. AMC, the theater chain that Mazzio has an arrangement with, has yet to get back up and running and so Mazzio, with her finger on the pulse of social issues and more topographically, in light of the George Floyd slaying and subsequent Black Lives Matter protests, is pushing ahead with the film’s release on Xfinity Friday, July 31, and releasing on other major streaming platforms at staggered future dates — Sept. 1 on Peacock and Oct. 14 on Amazon Prime.

Mazzio, a former Olympic rower, notched her unique arrangement with AMC when the theater was exploring means to address complaints that most films exhibited carried unflattering stereotypes of people of color and underrepresented communities, and as a result was actively seeking more positive and aspirational material. “Positively diverse,” is how Mazzio said (then) CEO Gerry Lopez described it. It was a natural fit as AMC snapped up several of Mazzio projects like “Ten9Eight: Shoot for the Moon” (2009) that detailed a business plan competition with teen entrants from high-crime, inner city communities like Harlem, Compton, Chicago and Baltimore, and “Underwater Dreams” (2014), which chronicled teens of undocumented parents who come together and go head-to-head against MIT in an underwater robotics competition.

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Peaceful Protests in Cambridge

7 Jun

 

Protesters gather Sunday in Porter Square after a renewed spate of nationwide deaths of people of color at the hands of police. (Photo: Tom Meek)

Around 200 residents assembled along Massachusetts Avenue in Porter Square on Sunday to protest police brutality and ask for justice in the Memorial Day death of George Floyd in Minneapolis – and in countless other blue-on-black incidents nationwide. The video of police officer Derek Chauvin kneeling on the neck of Floyd has sparked protests across the country, many turning violent as people join with uncertain motives and police respond.

Update from June 3, 2020: Police officers estimate that the protest “maxed out with about 100 participants,” according to Jeremy Warnick, director of communications and media relations for Cambridge police.

Curfews have been imposed in 40 cities; the National Guard has been called to 15. Social media is pulsing with videos of looting and police violence.

Not in Cambridge, though.

Chants of “Hey, hey, ho, ho, these racist cops have got to go,” and “No justice, no peace,” filled the area as cars drove by, honking in support. Signs demanding justice and the end of police brutality joined a sea of “Black Lives Matter” placards.

The protest, organized by North Cambridge attorney Gerry McDonough through social media, was peaceful and without incident. McDonough, launching an activist group Stand Out Against Racism, or Soar, said the day’s event was one of many to come. At the rally portion of the event, he announced a day of action slated for Saturday, when smaller groups in neighborhoods would stage similar protests.

Luis Cotto, Mercedes Soto and Ángel Cotto pause after creating a chalk memorial on the steps of City Hall. (Photo: Luis Cotto via Instagram)

Other signs of protest popped up around the city, from a “BLM” tag for the Black Lives Matter movement spray painted on a building at Kirkland and Beacon streets to the names of people of color slain by police chalked on the steps of City Hall. The names stretched back at least as far as Amadou Diallo, killed in New York in 1999.  

One of the concerns of protests and demonstrations in the time of the Covid-19 pandemic is public safety and social distancing. All demonstrators present wore masks, but a 6-foot rule was rarely achieved.

Mayor Sumbul Siddiqui said Saturday that she was planning an online vigil. “Facilitating a community healing process will be one of our most important jobs as elected officials, so we can collectively address the pain of this pandemic, the pain of this moment and the generational pain many of us carry in our bodies every day,” she said via social media.

Plans for the vigil, made public over the weekend, have it taking place from 5 to 5:30 p.m. Monday on cable Channel 22 and via Facebook Live. Details are here.

“Like many of you, I am navigating waves of anger and sadness as I think about [Floyd’s] life, his family and community – and about this country’s history of criminalizing blackness. George Floyd’s death should not have happened. May he rest in power,” Siddiqui said.

Work with City Manager Louis A. DePasquale and police commissioner Branville G. Bard Jr. is ongoing on “how best to keep our community safe from violence,” she said. “We must also work to keep people safe from discrimination and safe from displacement.”

Bard commented briefly on Floyd’s death as well. “Make no mistake about it, George Floyd’s death was the result of depraved indifference.” Bard said online Wednesday before expanding on his thoughts after the protest. Speaking to fellow law enforcement officials via tweet, he said, “I hope we realize that it will take more than words to correct this! Action, and only action will help to reverse this.”

Getting in two steel wheel in complicated times

31 May

Covid-19 makes bikes more important than ever; It also complicates everything about getting one

A line forms Saturday outside Ace Wheelworks between Porter and Davis squares in Somerville. (Photo: Marc Levy)

When gyms and parks were restricted and shuttered by the coronavirus shutdown, cycling saw a surge as a means of exercise, recreation and transportation – biking by definition has social distancing built into it, a sterling alternative to a crowded subway car where one good sneeze could have a devastating effect. As Massachusetts seeks to get back to normal, bikes will stay important for summer recreation and commuter options. Cambridge just announced a “Shared Streets” initiative to pair with Somerville, and over in Boston, Mayor Marty Walsh announced a “Healthy Streets” plan, safer paths encouraging new riders who were formerly deterred by the crush of regular motor vehicle traffic.

If you don’t have a bike and want to get on one, how do you do it with the Covid-19 restrictions still in place? One way is a bike share such as Blue Bikes, but most people will want the comfort and convenience of owning their own steel steed. Buying off Craigslist and the like is one option, but brings with it questions about bike size and other factors – including whether the bike was stolen. Bike stores offer professional advice and a better understanding of quality and cost, help for first-time buyers and assurance of help and service down the line.

Bike stores were deemed “essential” by Gov. Charlie Baker during the shutdown, and most in the Cambridge/Somerville area remained open. Now all are back online with the exception of Quad Bikes, which operates out of a Harvard-owned facility on Shepherd Street. During the stay-at-home mandate, maintenance and repairs were by curbside appointment, and it’ll be largely the same for the first phase of Baker’s four-phase return plan. One of the big challenges presented are hands-on sampling and test rides. Carice Reddien, owner of Bicycle Belle368 Beacon St., near Porter Square in Somerville, a specialist in cargo bikes, e-bikes and family-friendly extension bikes (and just reopened) said, “We’ve been doing socially distanced test rides outside the shop, and it seems to work.” Jason Paige, co-owner of Ace Wheelworks145 Elm St., between Porter and Davis squares in Somerville, whose shop was open for the duration, said, “We do a pretty thorough sales job on the phone, but the first time they ride it is when they pick it up curbside.” That model is flipped from before Covid-19, but Paige said the store has adopted a relaxed return and exchange policy to make shoppers more comfortable with a big purchase. “If you call with a price range and type of style, we’ll make something happen,” Paige said.

The bigger problem is supply and shipping in times of high demand. “Be patient,” Reddien said. “Supplies are low and shops are stretched thin trying to work in new and safe ways.” Paige said Wheelworks at one point had to stop taking orders over the phone because a salesperson would take an order only to have an online shopper beat them to the last SKU. (On the day that I wrote this, the website had a message saying “Sales temporarily suspended.”)

Other stores coming back are trying novel approaches to meet demand and their customer’s needs. Crimson Bikes, the Cannondale retailer at 1001 Massachusetts Ave., Mid-Cambridge, offers mobile visits to your home as well as curbside appointments; Cambridge Bicycle259 Massachusetts Ave., The Port, has something of what shop manager Josh Smith describes as an “Old West countertop service,” with accessories and helmets exhibited at the door for customers to review and try out. Cambridge Bicycle also offers limited test rides.

One thing all agreed on was that the shutdown has been both a boon for cycling. “More people now see cycling as a more attractive and viable thing,” Smith said. Paige said that he’s doing a lot more family sales, with overall sales in units notably up from last year, but accessory sales down. “Families are getting out and biking together,” he said. “That makes me emotional.”

The best way to buy a bike in these socially distancing times seems to start with online research, then a sales call before a scheduled test ride. And to remember, as Reddien said: “Be patient.”

The Brattle and COVID-19

18 May
The Marx Brothers’ “A Night at the Opera,” a repertory staple, plays to an empty house at The Brattle Theatre, which closed its doors to the public March 14. (Photo: The Brattle Theatre)

A four-phase strategy for reopening Massachusetts businesses and public facilities was announced this week by Gov. Charlie Baker. The plan was vague on details and dates leading up to a final “new normal,” which is something like where we were before Covid-19 turned Boston into a hot zone, though Phase I presumably kicks off May 18. Just what that means and for whom seems to be a bit of a moving target. Among those with questions is the “gathering industry,” as Ivy Moylan, executive director of The Brattle Theatre, explained was how the Harvard Square repertory institution and other arts venues were tagging themselves since the coronavirus outbreak.

“We’re hoping to heal and rebound and bring back the joy,” Brattle creative director Ned Hinkle said, “but not be too quick about it. The goal is to open as quickly as possible when it’s safe to do so.” The Brattle ran a survey of its members recently to gauge what “safe” means.

A smattering of drive-ins have opened around the country, and Universal released “Trolls World Tour” digitally (making more than $100 million in three weeks of digital release, something Hinkle says likely happened due to lack of competition) while art houses such as The Brattle and Somerville Theatre have been running Virtual Screening Room selections – smaller releases such as “Deerskin” and arthouse and foreign language classics with a portion of rental fees benefiting the theater you rent from.

“As a small business, we’re pretty agile,” Moylan said. “We could come back pretty quickly.” When shuttering March 14, The Brattle did not have to furlough its employees. “Most are part time,” Moylan said, “but when we shut down, they were our first priority. We want to protect them.” Moylan said at first the shutdown was terrifying, but as things went on managers realized going offline for a while and coming back was doable. “A couple of months,” she said. “A year would be hard.” The nonprofit theater has taken in a good sum through donations and has received Payroll Protection Program funding for its employees.

There’s also the dollars rolling in from the Virtual Screening Room. “It’s great,” Hinkle said, “but a good chunk of what we and theaters make is from concessions.” The Brattle during this time has also engaged filmgoers through virtual programing (movie lists, such as our Film Ahead section has morphed into), a podcast and Friday movie nights co-sponsored with the city.

Aside from slow openings, there’s another problem that will face mainstream theaters relying on the studio system for films, Hinkle said: a dearth of product. The latest James Bond (“No Time to Die”), the next two “Mission: Impossible” chapters, “A Quiet Place Part II” and the next “Wonder Woman” installment have all had their release dates pushed by months. The Brattle, on the other hand, which plays smaller releases and repertory fare, isn’t so reliant.

“We want to bring a rich experience back to our valued patrons,” Hinkle said, “people are hungry for that type of communal experience.” The looming question remains when.