Archive | Article RSS feed for this section

Wheel Good People

3 Sep

Wheel good people: Riders can see solutions from astride bicycle seats, and really deliver

By Tom Meek

The Agassiz Baldwin Community’s Phoebe Sinclair talks Friday with volunteer riders in the Cambridge Bike Delivery Program. (Photo: Raina Fox)

Efforts to address challenges such as Covid-19 and racial division and to better the community are zooming along on two wheels, undeterred by the death of bicyclist Darryl Willis in Harvard Square on Aug. 18. One effort, the Cambridge Bike Delivery Program, was set up at the onset of the pandemic to address the needs of at-risk elders and others with limited means; another, the Cambridge Bike Give Back Program, was launched in response to George Floyd’s murder in Minneapolis on Memorial Day and subsequent Black Lives Matter activities.

The Cambridge Bike Delivery concept grew organically among members of the Cambridge Bike Safety Group – an amalgam of local cyclists without any real hierarchy, assembled with the mission of advocating for safe streets in Cambridge – to make home deliveries of meds and groceries to seniors from Skenderian Apothecary, Inman Pharmacy, Pemberton Farms Marketplace and other stores without a delivery services. The logistics “proved to be tougher than anticipated,” organizer Rebecca Neuman said. “We had over 300 cyclists, but it was hard to line people up on dates and times.” Outreach to the elderly became something of a challenge as well, and the effort waned. But Neuman struck up conversations with staff at the Agassiz Baldwin Community Center and Margaret Fuller House, in The Port neighborhood. The Margaret Fuller House runs its own food pantry program, while the Agassiz Baldwin Community Center has just become an outpost for the Cambridge Community Center food pantry. Both programs needed volunteers to deliver food to the vulnerable, so Neuman set up a signup portal to coordinate riders with deliveries on the days the food pantries got shipments.

A rider sets out Aug. 25 with a delivery for the Cambridge Bike Delivery Program. (Photo: Tom Meek)

For each provider there are a dozen to several dozen deliveries on any given pantry day, coming three to four times a week. Neuman, who puts in a few hours each week to keep it all flowing, tries to keep the matches surgical and lean. The loads for the Margaret Fuller House are about 10 to 20 pounds of vegetables per delivery, bulky and heavy loads for which most riders employ a tagalong trailer or large food delivery bag, coordinator and director of finance and operations Cory Haynes said. The hauls from Cambridge Community Services range from frozen foods to baby diapers; one delivery rider recalled having to deliver an ice cream cake during high, humid 80-degree weather.

For the Agassiz Baldwin Community Center and Margaret Fuller House, the venture has been a natural and helpful fit that should carry on post-coronavirus, and Neuman is looking for other ways to use the volunteer army of riders – possibly reenabling curbside composting, which was suspended by the city during the coronavirus lockdown. (Though the mention of odor and stench trailing behind a hard-pedaling cyclist had Neuman and Haynes scrunching up their noses over a Zoom call.)

Bike Give Back

Lonnell Wells, right, put together his Cambridge Bike Give Back program after consulting with friends in the community. (Photo: Lonnell Wells)

The Cambridge Bike Give Back program was started just over a month ago by Lonnell Wells and a collection of friends he calls his “community.” Wells, distraught after Floyd’s murder, looked inward and talked deeply with them about what could be done to fix the country. The giveback program is “Plan B,” Wells said – “something to do for the kid who doesn’t have the bike to ride with their friends, the ex-con who just got a job who doesn’t have the money to ride the T, and a way for people to exercise when you can’t go to the gym.” The process is simple: Wells has taken to social media to ask for “broken old bikes” that he and his team piece together and give to those in need; jubilant photos from pickups and drop-offs are easy to find on social media. At the time of our sit-down, Wells estimated the program had collected more than 30 broken bikes and given back 17.

Wells grew up in The Port – “Area 4,” as he still fondly calls it – and graduated from Cambridge Rindge and Latin School, but now lives in Chelsea, has a 10-year-old son and works as a chef at Boston University. He refers to his post-work scavenging expeditions to gather bike carcasses as “demon time.” For the bike assemblies, Wells host parties, for which he does what he does: cooks. Partial to Southern food, Wells likes to make collard greens and sticky chicken, which is thrown back in the skillet with hot sauce just before serving.

Wells did not go into details about Plan A. “Not enough time,” he said at our meeting. But he expressed gratitude to the bike community at large, which he described as supportive of his project. Bike groups are also active in Black Lives Matter organizing: There have been three 800-person Ride for Black Lives through Greater Boston, organized in part by Crimson BikesBoston Bike PartyBikes Not Bombs and Spoke House, at a time organizers would not risk more casual rides. U.S. Rep. Ayanna Pressley kicked off the ride this past Sunday; there are also weekly MIT-to-Arlington Black Lives Matter rides on Sundays.

The project and scope of the Give Back venture is sure to grow. On Sunday, the program hosts a barbecue at Greene-Rose Heritage Park on Harvard Street near the Fletcher Maynard School. The flyer lists family-friendly scavenger hunts, voter registration and free food.

Is it safe to see a film in a theater?

2 Sep

Kendall Square Cinemas has reopened quietly, with fare such as ‘Tenet’ for up to 25 in theater

By Tom Meek
Tuesday, September 1, 2020

Two weeks ago, I penned a column about movie screens staying dark in Cambridge and Somerville because of the pandemic, even as AMC, ShowPlace Icon and other theater chains opened in and around Boston. Friday that all changed: the Landmark theater in Kendall Square had something of a stealth opening.

“Face masks at all times, limited seating and no concessions at this time, per state guidelines,” theater manager Howie Sandler said in an email. “Also we are cleaning throughout the day, and after each show we wipe down chairs. We have signs up all over the place stipulating masks and social distancing, and we have markers on the floor leading you to buy tickets.” (State guidelines actually allow prepackaged foods.)

The limited seating measures including every other row being blocked off in the bigger theaters, “and we ask folks to leave two chairs between them and another party. Smaller theaters have seats blocked off in each row to spread people out,” Sandler said. A maximum 25 people are allowed in the larger theaters, and 16 to 24 people in Kendall Square Cinemas’ three smaller ones.

For now, The Brattle Theatre in Harvard Square remains closed to public screenings but is available for private rentals – most of which have been to couples, according to the “Brattle Film Podcast.” Apple Cinemas in Fresh Pond also remains closed, like the Somerville Theatre in Davis Square and Harvard Film Archive.

The Kendall Square theater is playing traditional arthouse fare such as “The Personal History of David Copperfield” and “Tesla,” but also Charlie Kaufman’s latest “I’m Thinking of Ending Things,” which caught me by surprise, as my press kit says it’s coming to Netflix on Sept. 4. What’s also interesting is that this week Landmark will open “Tenet,” the latest big-screen extravaganza from Christopher Nolan (“Dunkirk,” “Inception”). It’s a shift for Landmark, though its sister theater Embassy Cinema in Waltham plays more mainstream box office fare.

Nolan’s film has been a sore point for critics; many say they won’t go to a theater yet and prefer to get screener links. No links were given out for “Tenet,” so if you didn’t go to theater-staged press screening, you did not see it. Some media outlets (including The Washington Post) won’t run reviews for theater-only releases; others (including The Boston Globe) that get screener links for theater-only releases will post a safety caveat. I’m still struggling with the “Do I review a film in the confines of my house and recommend it to you when you can only see it in the theater” conundrum. I missed the “Tenet” press screening due to a personal conflict, so if you see a review here from me, you’ll know I went to the theater just as you would. I have to say Sandler’s precautions at Kendall sound thorough – but it’s still an indoor space.

In response to this whole Covid-19, get-back-to-normal limbo, studios take different approaches. “Bill & Ted Face the Music” was released simultaneously theatrically and through online streaming (for $20). The live-action “Mulan” from Disney will be released this weekend on the conglomerate’s streaming platform Disney+ for $30.

A Most Beautiful Thing

29 Jul

Pulling together: Boston filmmaker tells story of first Black rowing team

Boston filmmaker Mary Mazzio’s documentary “A Most Beautiful Thing,” which recounts the travails of the first Black high school crew team in the country, was supposed to open in theaters back in March but the COVID-19 swell altered that and still holds a lingering effect on the film’s release. AMC, the theater chain that Mazzio has an arrangement with, has yet to get back up and running and so Mazzio, with her finger on the pulse of social issues and more topographically, in light of the George Floyd slaying and subsequent Black Lives Matter protests, is pushing ahead with the film’s release on Xfinity Friday, July 31, and releasing on other major streaming platforms at staggered future dates — Sept. 1 on Peacock and Oct. 14 on Amazon Prime.

Mazzio, a former Olympic rower, notched her unique arrangement with AMC when the theater was exploring means to address complaints that most films exhibited carried unflattering stereotypes of people of color and underrepresented communities, and as a result was actively seeking more positive and aspirational material. “Positively diverse,” is how Mazzio said (then) CEO Gerry Lopez described it. It was a natural fit as AMC snapped up several of Mazzio projects like “Ten9Eight: Shoot for the Moon” (2009) that detailed a business plan competition with teen entrants from high-crime, inner city communities like Harlem, Compton, Chicago and Baltimore, and “Underwater Dreams” (2014), which chronicled teens of undocumented parents who come together and go head-to-head against MIT in an underwater robotics competition.

Continue reading

Peaceful Protests in Cambridge

7 Jun

 

Protesters gather Sunday in Porter Square after a renewed spate of nationwide deaths of people of color at the hands of police. (Photo: Tom Meek)

Around 200 residents assembled along Massachusetts Avenue in Porter Square on Sunday to protest police brutality and ask for justice in the Memorial Day death of George Floyd in Minneapolis – and in countless other blue-on-black incidents nationwide. The video of police officer Derek Chauvin kneeling on the neck of Floyd has sparked protests across the country, many turning violent as people join with uncertain motives and police respond.

Update from June 3, 2020: Police officers estimate that the protest “maxed out with about 100 participants,” according to Jeremy Warnick, director of communications and media relations for Cambridge police.

Curfews have been imposed in 40 cities; the National Guard has been called to 15. Social media is pulsing with videos of looting and police violence.

Not in Cambridge, though.

Chants of “Hey, hey, ho, ho, these racist cops have got to go,” and “No justice, no peace,” filled the area as cars drove by, honking in support. Signs demanding justice and the end of police brutality joined a sea of “Black Lives Matter” placards.

The protest, organized by North Cambridge attorney Gerry McDonough through social media, was peaceful and without incident. McDonough, launching an activist group Stand Out Against Racism, or Soar, said the day’s event was one of many to come. At the rally portion of the event, he announced a day of action slated for Saturday, when smaller groups in neighborhoods would stage similar protests.

Luis Cotto, Mercedes Soto and Ángel Cotto pause after creating a chalk memorial on the steps of City Hall. (Photo: Luis Cotto via Instagram)

Other signs of protest popped up around the city, from a “BLM” tag for the Black Lives Matter movement spray painted on a building at Kirkland and Beacon streets to the names of people of color slain by police chalked on the steps of City Hall. The names stretched back at least as far as Amadou Diallo, killed in New York in 1999.  

One of the concerns of protests and demonstrations in the time of the Covid-19 pandemic is public safety and social distancing. All demonstrators present wore masks, but a 6-foot rule was rarely achieved.

Mayor Sumbul Siddiqui said Saturday that she was planning an online vigil. “Facilitating a community healing process will be one of our most important jobs as elected officials, so we can collectively address the pain of this pandemic, the pain of this moment and the generational pain many of us carry in our bodies every day,” she said via social media.

Plans for the vigil, made public over the weekend, have it taking place from 5 to 5:30 p.m. Monday on cable Channel 22 and via Facebook Live. Details are here.

“Like many of you, I am navigating waves of anger and sadness as I think about [Floyd’s] life, his family and community – and about this country’s history of criminalizing blackness. George Floyd’s death should not have happened. May he rest in power,” Siddiqui said.

Work with City Manager Louis A. DePasquale and police commissioner Branville G. Bard Jr. is ongoing on “how best to keep our community safe from violence,” she said. “We must also work to keep people safe from discrimination and safe from displacement.”

Bard commented briefly on Floyd’s death as well. “Make no mistake about it, George Floyd’s death was the result of depraved indifference.” Bard said online Wednesday before expanding on his thoughts after the protest. Speaking to fellow law enforcement officials via tweet, he said, “I hope we realize that it will take more than words to correct this! Action, and only action will help to reverse this.”

Getting in two steel wheel in complicated times

31 May

Covid-19 makes bikes more important than ever; It also complicates everything about getting one

A line forms Saturday outside Ace Wheelworks between Porter and Davis squares in Somerville. (Photo: Marc Levy)

When gyms and parks were restricted and shuttered by the coronavirus shutdown, cycling saw a surge as a means of exercise, recreation and transportation – biking by definition has social distancing built into it, a sterling alternative to a crowded subway car where one good sneeze could have a devastating effect. As Massachusetts seeks to get back to normal, bikes will stay important for summer recreation and commuter options. Cambridge just announced a “Shared Streets” initiative to pair with Somerville, and over in Boston, Mayor Marty Walsh announced a “Healthy Streets” plan, safer paths encouraging new riders who were formerly deterred by the crush of regular motor vehicle traffic.

If you don’t have a bike and want to get on one, how do you do it with the Covid-19 restrictions still in place? One way is a bike share such as Blue Bikes, but most people will want the comfort and convenience of owning their own steel steed. Buying off Craigslist and the like is one option, but brings with it questions about bike size and other factors – including whether the bike was stolen. Bike stores offer professional advice and a better understanding of quality and cost, help for first-time buyers and assurance of help and service down the line.

Bike stores were deemed “essential” by Gov. Charlie Baker during the shutdown, and most in the Cambridge/Somerville area remained open. Now all are back online with the exception of Quad Bikes, which operates out of a Harvard-owned facility on Shepherd Street. During the stay-at-home mandate, maintenance and repairs were by curbside appointment, and it’ll be largely the same for the first phase of Baker’s four-phase return plan. One of the big challenges presented are hands-on sampling and test rides. Carice Reddien, owner of Bicycle Belle368 Beacon St., near Porter Square in Somerville, a specialist in cargo bikes, e-bikes and family-friendly extension bikes (and just reopened) said, “We’ve been doing socially distanced test rides outside the shop, and it seems to work.” Jason Paige, co-owner of Ace Wheelworks145 Elm St., between Porter and Davis squares in Somerville, whose shop was open for the duration, said, “We do a pretty thorough sales job on the phone, but the first time they ride it is when they pick it up curbside.” That model is flipped from before Covid-19, but Paige said the store has adopted a relaxed return and exchange policy to make shoppers more comfortable with a big purchase. “If you call with a price range and type of style, we’ll make something happen,” Paige said.

The bigger problem is supply and shipping in times of high demand. “Be patient,” Reddien said. “Supplies are low and shops are stretched thin trying to work in new and safe ways.” Paige said Wheelworks at one point had to stop taking orders over the phone because a salesperson would take an order only to have an online shopper beat them to the last SKU. (On the day that I wrote this, the website had a message saying “Sales temporarily suspended.”)

Other stores coming back are trying novel approaches to meet demand and their customer’s needs. Crimson Bikes, the Cannondale retailer at 1001 Massachusetts Ave., Mid-Cambridge, offers mobile visits to your home as well as curbside appointments; Cambridge Bicycle259 Massachusetts Ave., The Port, has something of what shop manager Josh Smith describes as an “Old West countertop service,” with accessories and helmets exhibited at the door for customers to review and try out. Cambridge Bicycle also offers limited test rides.

One thing all agreed on was that the shutdown has been both a boon for cycling. “More people now see cycling as a more attractive and viable thing,” Smith said. Paige said that he’s doing a lot more family sales, with overall sales in units notably up from last year, but accessory sales down. “Families are getting out and biking together,” he said. “That makes me emotional.”

The best way to buy a bike in these socially distancing times seems to start with online research, then a sales call before a scheduled test ride. And to remember, as Reddien said: “Be patient.”

The Brattle and COVID-19

18 May
The Marx Brothers’ “A Night at the Opera,” a repertory staple, plays to an empty house at The Brattle Theatre, which closed its doors to the public March 14. (Photo: The Brattle Theatre)

A four-phase strategy for reopening Massachusetts businesses and public facilities was announced this week by Gov. Charlie Baker. The plan was vague on details and dates leading up to a final “new normal,” which is something like where we were before Covid-19 turned Boston into a hot zone, though Phase I presumably kicks off May 18. Just what that means and for whom seems to be a bit of a moving target. Among those with questions is the “gathering industry,” as Ivy Moylan, executive director of The Brattle Theatre, explained was how the Harvard Square repertory institution and other arts venues were tagging themselves since the coronavirus outbreak.

“We’re hoping to heal and rebound and bring back the joy,” Brattle creative director Ned Hinkle said, “but not be too quick about it. The goal is to open as quickly as possible when it’s safe to do so.” The Brattle ran a survey of its members recently to gauge what “safe” means.

A smattering of drive-ins have opened around the country, and Universal released “Trolls World Tour” digitally (making more than $100 million in three weeks of digital release, something Hinkle says likely happened due to lack of competition) while art houses such as The Brattle and Somerville Theatre have been running Virtual Screening Room selections – smaller releases such as “Deerskin” and arthouse and foreign language classics with a portion of rental fees benefiting the theater you rent from.

“As a small business, we’re pretty agile,” Moylan said. “We could come back pretty quickly.” When shuttering March 14, The Brattle did not have to furlough its employees. “Most are part time,” Moylan said, “but when we shut down, they were our first priority. We want to protect them.” Moylan said at first the shutdown was terrifying, but as things went on managers realized going offline for a while and coming back was doable. “A couple of months,” she said. “A year would be hard.” The nonprofit theater has taken in a good sum through donations and has received Payroll Protection Program funding for its employees.

There’s also the dollars rolling in from the Virtual Screening Room. “It’s great,” Hinkle said, “but a good chunk of what we and theaters make is from concessions.” The Brattle during this time has also engaged filmgoers through virtual programing (movie lists, such as our Film Ahead section has morphed into), a podcast and Friday movie nights co-sponsored with the city.

Aside from slow openings, there’s another problem that will face mainstream theaters relying on the studio system for films, Hinkle said: a dearth of product. The latest James Bond (“No Time to Die”), the next two “Mission: Impossible” chapters, “A Quiet Place Part II” and the next “Wonder Woman” installment have all had their release dates pushed by months. The Brattle, on the other hand, which plays smaller releases and repertory fare, isn’t so reliant.

“We want to bring a rich experience back to our valued patrons,” Hinkle said, “people are hungry for that type of communal experience.” The looming question remains when.

 

Restaurants in the time of Covid-19

24 Apr

Season to Taste, Pagu mix it up after Covid-19, giving to-go meals the flavor of improvisation

Robert Harris prepares a to-go meal Tuesday at Season to Taste in North Cambridge. (Photo: Tom Meek)

Before the Covid-19 crisis, we were preparing to profile two semi-finalist James Beard best chefs from Camberville: Tracy Chang of Pagu and Carl Dooley, over at Table at Season to Taste (the other locals on the list, Seizi Imura of Cafe Sushi in Harvard Square and Cassie Piuma, serving up Turkish infused plates at Ana Sortun’s Sarma in Somerville, are repeat nominees). Both shut down before Gov. Charlie Baker’s St. Patrick’s Day mandate to close restaurants. But the ovens have remained hot, reflecting where we are and where we are going.

While Table at Season to Taste remains shuttered, chef-owner Robert Harris has continued to evolve catering at umbrella company Season to Taste. “I’ve got a plan to get us back to normal,” said Harris, who was on a ski trip in Colorado when the mandate came down. He returned to Cambridge to lay off 30 employees. Part of his plan is to make Season to Taste’s traditionally “bespoke” catering for corporate events, weddings and parties – with menus dictated by the client – into a Season to Go, a food pickup service at the 2447 Massachusetts Ave., North Cambridge, storefront. Continue reading

An Interview with Kelly Reichardt

14 Mar

Reichardt’s ‘First Cow’: Birthed of collaboration found on trail from Miami (with stops at Brattle)

 

“First Cow” is Kelly Reichardt’s seventh film, and second “anti-western” made in collaboration with the author Jonathan Raymond. (Photo: Tom Meek)

Kelly Reichardt’s latest, “First Cow,” an Oregon frontier saga about two outsiders trying to get ahead, marks her fifth collaboration with writer Jonathan Raymond and her seventh film overall. The film (screenplay by Raymond and Reichardt) is vastly different from Raymond’s novel “The Half-Life,” which, as Reichardt points out, “spanned four decades and two continents and didn’t have a cow in it. John invented the cow for the movie.” A fairly drastic realignment from any point of view, though the director is quick to add that the story still focuses on the bond between Cookie (John Magaro), an introverted cook, and King Lu (Orion Lee) an enterprising Chinese expat – though King Lu is a composite of two characters in the novel. The entrepreneurial endeavor the pair undertake in the book is exporting beaver oil to china; in the film, with the creation of a lone cow at a trading outpost, there’s milk and thus batter to make “oily cakes” (scones), a super hot item in a land where there is only mutton and slop.

Reichardt’s journey to the directorial chair is long and intriguing, with a crucial stop at The Brattle Theatre in Harvard Square. “I grew up in a cultural void as far as art goes, and in a family of cops,” Reichardt said. (The void was Miami.) Her mother was in drug enforcement and her father was a crime scene investigator, though they also opened her eyes to the arts. “My father listened to jazz and gave me a Pentax camera.” Reichardt got into photography, using expired rolls of film her father got her from the crime lab and taking lessons at a studio run by a notorious pornographer. Then the artist Christo came in 1983 to wrap his “Surrounded Islands” in Biscayne Bay. Reichardt, inspired by the grand installation, knew she’d have to go elsewhere to expand her cultural palette and find her calling. She landed with friends in Boston, where she studied art and film at the Massachusetts College of Art and Design and School of the Museum of Fine Arts. “But,” she added, “my real film education came at the Brattle Theatre, which played a different repertory pairing each night.”

tmp-cow

Reichardt met Raymond early in her career, becoming fast “pals” after being introduced by filmmaker Todd Haynes (“Carol,” “Velvet Goldmine” and most recently, “Dark Waters”). Both had collaborated with Haynes (“I was the one flicking the spit in “Poison,” Reichardt says of Haynes’ controversial, career-launching film) and he’s been an executive producer on most of Reichardt’s projects. After 2010’s “Meek’s Cutoff,” about my ancestor leading a posse across the Oregon desert, “First Cow” is the second anti-western by Reichardt and Raymond. “Westerns have alway been about a white man on a horse with all the power. This is about two outsiders finding a safe place with each other. They’re mindful and thoughtful, not physical,” Reichardt said.

Still, to prepare for the film, Magaro (who has a Bob Dylan-esque presence in the film) and Lee had to go through a survivalist boot camp to learn their characters’ skills, including lighting fires without matches and catching fish without hooks. “It wasn’t much fun,” Reichardt says, “because it rained most of the time.” To cast the two “mindful dreamers,” Reichardt interviewed and interacted with each actor via Skype, never meeting either in person until they were pretty much on set. Given the current state of things with the coronavirus spread, that virtual casting call feels eerily prescient: At the time of my interview, Reichardt had just been told her publicity tour for the film was being canceled, and the Harvard Film Archive was limiting the audience for Reichardt’s “in person” screenings on Monday and Tuesday to a max of 99 people. Then it suspended its spring schedule.

“First Cow” opens locally this Friday.

Corona and Film

14 Mar

Harvard Film Archive is closing through April; moviegoers start strategizing for safer seating

tmp-HFAThe Harvard Film Archive will be closed and empty through April, curators said Tuesday. 

With Gov. Charlie Baker declaring a state of emergency after reported Covid-19 infection cases hit 92 on Tuesday, Harvard and the Massachusetts Institute of Technology going online-only after their spring breaks and people encouraged to shelter in place as much as possible, what happens to our public cultural staples – sports, the arts and entertainment? The latest Film Ahead column of special events and local arthouse and repertory programs got halved as the Harvard Film Archive announced its screen would go dark after the Tuesday screening of “Wendy and Lucy” with director Kelly Reichardt in attendance.

The Archive will be closed through April. Films and programs will be rescheduled after a reopening in May. The closing – and suggestion of sports events being played in empty arenas – only triggers questions about other theaters’ response. Kendall Square and Somerville theaters wouldn’t comment; at The Brattle Theatre, the Archive’s neighbor in Harvard Square, executive director Ivy Moylan said it’s business as usual.

For now.

“We are taking it one day at a time. We have instructed our staff on increased cleaning and are staying up to date with city, state and [federal health] instructions,” Moylan said. “We are keeping an eye on things as they change.”

On social media, friends said that they’d be bringing Clorox wipes to the theater or, in theaters with assigned seating, pay the extra dollars for “firewall” seats that add distance from other patrons.

One thing about film: It has always been a great way to quiet the mind in trying times. It may be streaming services from Netflix, Amazon and the Criterion Channel that will more relaxing for some in the coming days. Nothing beats a trip to the theater, but the world cannot live without cinema.

Black History Month – Cambridge Notables

26 Feb

Black Bookmark Project highlights pioneers less known, but all worth taking a page from

An opportunity to remember William Henry Lewis, ‘great man’ of firsts

 

tmp-BHM1Joyce London Alexander, in an image from the Cambridge Black Trailblazers website.

This Black History Month sees the launch of the Cambridge Black Bookmark Project, giving young readers free bookmarks – photos on the front, biographies on the back – introducing more people to a generation of black trailblazers not yet given physical markers around the city.

The Cambridge Black Trailblazers project adds to and updates work begun by the Cambridge African American Heritage Alliance, which installed 20 markers citywide honoring the achievements of black leaders from the 1840s to World War II, said project coordinator James Spencer, representing a committee of another half-dozen people. The group printed 7,000 bookmarks, of which about 4,000 have been given to the school district. Others have gone to the City Council to hand out and to the families of the people being celebrated; a donation of up to 2,000 of the bookmarks to city libraries awaits permission, he said.

“This has been a labor of love … But this is just the beginning. In order to continue, the project will need additional resources,” said Spencer, a retired civil rights and diversity officer, describing plans for at least 20 bookmarks led by an initial seven.

Movers and shakers

The first batch includes Joyce London Alexander, who went from first black president of the CRLS student council to first black chief magistrate in the United States; Charles Leroy Gittens, the first black Secret Service agent and protector of U.S. presidents from Dwight D. Eisenhower to Gerald Ford before taking charge of all agency field offices; Elizabeth Rawlins, an educator who became a longtime dean at Simmons College; Leon West, who became famous as a chef in New Orleans; Roy Allen, a television producers and director who became the first black member of the Directors Guild of America; Henry Owens, the entrepreneur behind Green Moving; and civil rights activist Gertrude Wright Morgan, who recently got a street named after her in Canbridge Crossing – after work began on the trailblazers project.

“It is critically important that young people, as well as the larger Cambridge community, recognize the selfless and courageous contributions of these individuals in a generational period of painful discrimination,” Spencer said.

“This initial phase of the project was developed, researched, financed and launched by a committee of dedicated volunteers, with support from the Cambridge Historical Commission,” he said, calling sponsors – individual, corporate and philanthropic – vital to move the project forward from this hopeful start. Continue reading