Archive | August, 2022

Three Thousand Years of Longing

27 Aug

Spectacle with an unfulfilled wish for narrative harmony

By Tom Meek Thursday, August 25, 2022

The latest from George Miller, the man known primarily as the force behind the innovative “Mad Max” film franchise (though let’s not forget he also helmed such diverse fare as “The Witches of Eastwick” and “Happy Feet”), is an opulently rendered tale about two bereft souls who find each other through happenstance and blossom as a result. Part of the film’s charm is Miller’s ability to go big, something put on glorious display in his last, “Mad Max: Fury Road” back in 2015, and again here in “Three Thousand Years of Longing” in re-creating a mid-B.C. visit between the Queen of Sheba and King Solomon amid Ottoman empire buildings. The film’s other charm is its leads: Tilda Swinton, as a set-in-her-ways scholar and Idris Elba – whom you can also catch in theaters this week in the “Jaws”-with-claws thriller “Beast” – as the genie she uncorks while on an academic retreat in Istanbul.

Much of what unfolds in this adaptation of the novella by A.S. Byatt (“Possession”) takes place in a hotel suite. Not just any hotel suite, but the one in which Agatha Christie wrote “Murder on the Orient Express.” It’s something of a dark pajama party, with Swinton’s Alithea and Elba’s Djinn (as he’s called by Alithea) in bathrobes; she’s just out of the shower when wrangling with the hand-blown bauble picked up in a marketplace, and he, after initially being room-fillingly large and vaporous, dons terry cloth in his more human assumed form. The two trade tales: Back in the day, he was Sheba’s lover and Solomon trapped him in a jar and tossed him in the sea. Not to be outdone about a love gone wrong, Alithea recounts her marriage to a fellow academic, intellectually and sexually fulfilling until he ran off with a student. There’s also the matter of three wishes, and the long, inglorious history of unintended circumstances that have come back to bite greedy wishers. Alithea, an expert on narrative structure, the history of storytelling and lore, is wise to the perils and wonders if The Djinn is in fact trying to trick her – to gain his freedom from the bottle and mortal servitude, he needs to grant a mortal three wishes. Alithea holds out, and just like the Major and Barbara Eden in “I Dream of Jeannie,” mortal and magical begin a relationship with sexual undercurrents raging and rife at every turn. 

Miller’s vision has some big, spectacular set pieces, especially as it riffles back to the ancient times of The Djinn’s long-lived existence, and the actors, both talented and clearly up for the game – Swinton ethereal, wise and ever probing, while Elba, so commanding as Bloodsport in “The Suicide Squad” last year, casts a majestic yet troubled, somber aura – are captivating to behold with all their soul-baring. And yet somehow, something feels amiss. Something’s not there. Their sudden, deep romantic bond feels like a quick Gorilla Glue fix applied during script revision triage, and what of the rules of those wishes? There’s some stuff about unfulfilled third wishes (the wisher died after No. 2) requiring closure that never seem to get addressed. Several times Alithea says, “I wish …,” but what happens, or not, never fully makes sense. The two do finally get out of the hotel suite and travel back to London, where Alithea, tired of her xenophobic neighbors, has Djinn help her deliver exotic midday snacks to the biddies who spend their days doing little more than othering. I wish the film had more moments like that. There’s much to admire in the craft all around, but for all its grand gestures, “Three Thousand Years” feels not quite fully formed. It’s a novel concept about parched beings thirsting for soul-slaking water, as was the case for the masses in “Fury Road.” In Miller’s impressive “Max” revisit, in the end, the water flowed in torrents. Here, it’s as if someone forgot to pay the water bill. 

Latest fatality of a bicyclist because of ‘dooring’ brings reminders of the lifesaving Dutch Reach

23 Aug

Bike Safety Measures Needed

By Tom Meek, Tuesday, August 23, 2022

A mobile traffic sign in Somerville promotes the “Dutch Reach” technique for bicyclist safety. (Photo: The Dutch Reach Project via Twitter)

Bicyclists are calling urgently for Somerville to install more protected bike lanes since the Aug. 12 death of Stephen Conley, 72, from a dooring on Broadway near Teele Square.

“Protected bike lanes prevent this kind of crash,” said George Schneeloch, a member of the Somerville Bike Safety group. “The city must work urgently to prevent future fatal crashes like this one by installing protected bike lanes in both directions on Broadway, so that bicyclists are kept clear of car doors.”

Somerville Mayor Katjana Ballantyne has committed to immediate safety changes, but not to a timeline for bike lanes, Schneeloch said. The commitment was reported Aug. 16 by StreetsblogMass.

There’s another solution that could have prevented the Conley crash, though, and doesn’t rely on potentially expensive infrastructure changes: the Dutch Reach, a method of opening a car door using the farthest hand from it.

The Dutch Reach prevents swinging a car door open fully and forces drivers’ heads to turn and see more of the surrounding conditions, said Michael Charney on Monday.

Michael Charney in a screen capture from “All Things Bike with Fred Thomas” in October 2019.

Charney, 76 and still getting around mostly by bike, is a retired physician and bicycling safety advocate who lives in Cambridge just outside Somerville’s Union Square – and credited as the originator of the term “Dutch Reach” and vital in getting adopted worldwide.

A dooring is when a driver opens a car door without looking and a cyclist crashes into it, often getting thrown into traffic. Massachusetts law says, “No person shall open a door on a motor vehicle unless it is reasonably safe to do so without interfering with the movement of other traffic, including bicyclists and pedestrians.” The fine for such a violation is up to $100.

Doorings account for 20 percent of bike crashes in Cambridge, according to city development officials. Jeremy Warnick, director of communications and media relations for Cambridge police, noted in a Tuesday email that July saw three doorings in Cambridge, and a severe dooring in Kendall Square in April that led to riders on a tandem bike being taken to a hospital after first aid was applied by officers on site.

The number of Cambridge bicycle crashes involving a “dooring” in 2020 was six, or 9 percent of the 66 total bicycle crashes reported to Cambridge police, but the number of citations issued for opening a door when unsafe that year was 58, Warnick said. In 2021, those figures were nine (or 12 percent of the 76 total bicycle crashes reported to police) and 50, respectively. Police see the pandemic as a cause for the drop from the typical 20 percent, Warnick said.

But data collection is complicated for doorings, said Charney and Galen Mock, executive director of the Massachusetts Bicycle Coalition. There are arguably accidents where near-doorings result in a fatality when the rider swerves into a traffic lane and is hit by a passing motor vehicle, but a dooring would likely not be recorded as a factor in the crash. A pending state Act to Reduce Traffic Fatalities would standardize how bike crash data is captured and categorized, Mock said in a Monday email.

Coining a term, starting a movement

The Dutch Reach, while an invention of the Netherlands, was introduced in this country by Charney after he was shaken by the dooring death of cyclist Amanda Phillips in Inman Square in June 2016. Charney launched the Dutch Reach Project by sending a series of “Dutch Reach haikus” to the Cambridge and Somerville police departments – and it was Somerville that took the haikus to heart and placed mobile traffic signs with Charney’s poems flashing on them. Charney’s work helped convince Massachusetts to include the Dutch Reach in its driver’s ed programs starting in 2017. Charney said he has gone on to speak via Zoom with cycling safety organizations as far away as Malaysia and India.

“I practically fell off the chair realizing that this is such a simple solution,” Charney said on the Maine-based “All Things Bike with Fred Thomas” in October 2019. “Dutch reach was my coinage, and it worked out very well for various reasons – one is ‘teach the reach,’ ‘preach the reach.’ What wasn’t appreciated by me at the time that I coined it was that there’s a whole string of [other phrases such as] ‘Dutch treat,’ ‘Dutch uncle,’ also there’s a thing ‘Dutch ding-dong’ that have outré connotations and create a buzz among millennials … Though there’s nothing dirty about the Dutch Reach. It just saves lives.”

Other paths to safety

Charney also endorsed the concept of a “road hierarchy” that places less legal onus on the most vulnerable on the road, starting with pedestrians, then cyclists, motorcycles and scooters, cars, SUVs and vans and, as the most dangerous, trucks and buses.

Another safety measure Charney suggested where there are “door zone bike lanes,” meaning those separated from parked cars only by paint on the road: Cyclists can “take the lane.” Riding in front of cars can be intimidating for cyclists, as motorists tend to get frustrated with slower-moving traffic and might honk or harass them, especially if there’s a bike lane available. But in Massachusetts a cyclist has the right to assume a full traffic lane on nearly all municipally maintained streets, Charney said.

Charney calls his solutions no-cost but partial, as he feels there’s no single cure-all for road safety, but many baby steps to safer roads – including that  “motor vehicle technology, sensors, cameras and computers, keep getting smarter and will be another partial solution to greater road safety.” But always check your mirrors, use the Dutch Reach and slowly, and look for fellow road users, he said.

Porter Square Neighbors Association cleans, sweating the details with bags and brooms

23 Aug

Pitching in together

By Tom Meek, Sunday, August 21, 2022

Lesley University soccer players participate in a Saturday cleanup around Porter Square. (Photo: Audrey Calhoun/Lesley University)

It was near 90 degrees and blistering Saturday when a hodgepodge volunteer crew of nearly 50 set to work cleaning up the Porter Square T Station plaza as well as the stretch of Massachusetts Avenue north and south of it. “I think this is our tenth year,” said organizer Ruth Ryals, head of the Porter Square Neighbors Association.

Over the course of four midday hours the rotating team picked up trash, weeded sidewalks and did other basic beautification at the Porter Square Shopping Center, the storefronts opposite it and the Lesley building and sidewalks down toward the intersection with Linnaean Street. Given the heat, Ryals said, “I’m super impressed.” Half the volunteers were the returning Lesley women’s soccer team. “Normally Harvard joins us too, but they’re not back yet.”

Fresh fruit, cases of water, brown landfill compost bags, brooms and weeding tools were supplied to volunteers, many of who wore safety vests as they toiled.

Ryals, who ran the check-in and handout station on the MBTA plaza, thanked the Department of Public Works for trash removal and power washing; Star Market in the Porter Square Shopping Center for the water; Lesley, or “the young people anxious to give back,” as Ryals referred to them; Junior’s Automotive & Gas and volunteer Jim Cornie, who not only delivered tools to the plaza but continued to weed and mulch after the event ended; and the office of state Rep. Marjorie Decker.

Cleanup volunteer Jean Krulic and Porter Square Neighbors Association leader Ruth Ryals on Saturday in Porter Square. (Photo: Tom Meek)

While Lesley has several community service initiatives, the effort was a direct coordination between Ryals and Lesley soccer coach Paul Vasconcelos. “Our Lesley University women’s soccer team has been participating in the Porter Square/Mass Ave cleanup for the last few years. It’s something our student athletes look forward to every year and a great way for them to get acclimated, as they are from all over the country,” Vasconcelos said in an email.

Several volunteers expressed satisfaction in the before and after of claiming a tree basin or stretch of sidewalk, taking trowel to root and ridding the area of unsightly crabgrass. Many also thought it would be great if the MBTA, Lesley and area storefront owners followed by watering and beautification measures such as planters.

Emily the Criminal

13 Aug

‘Emily the Criminal’: Student debt made her do it

By Tom Meek Friday, August 12, 2022

Aubrey Plaza in EMILY THE CRIMINAL

Aubrey Plaza may just be indie film’s “it” human of the moment. With accolades for performances in critically noted, smaller fare such as “Black Bear” (2020), “Ingrid Goes West” (2017) and this slide from millennial slog into crime – a Sundance hit – Plaza’s proven capable and clearly on the edge of a breakout. Directed by John Patton Ford, pulling from his experience of cracking under the weight of student loan debt, “Emily the Criminal” concocts a narrative that’s just as much character study and social commentary as it is a crime drama.

Plaza stars as the titular Emily, out of school, talented but unable to land a gig. Part of the problem is that she has a record. The publishing/graphic design industry she wants to break also into requires a demurring personality and the ability to work an internship for six-months-plus for free. Emily’s a quietly take-no-shit kind of person, but she also needs money, which leads to the occupation of the title. Shlepping as a caterer, trying to get a real job and pay off mounting bills, Emily gets hooked up through a friend with a dicey yet amiable character named Youcef (Theo Rossi), an immigrant with hopes of realizing the American Dream who’s running a credit card scam to achieve it. Emily, living the American Nightmare, gets in on it, tangentially at first. Then she and Youcef find they have more in common, including dealing with his troublesome brother who is threatening the side biz and its mounting pile of cash. We find out later about Emily’s past transgression – and god forbid if you cross her; the payback is X-Acto knife justice for a shady couple who get onto her scheme. Then there’s her interview for that coveted publishing gig (with Gina Gershon!) that’s almost as captivatingly fiery as Matt Damon’s high-rise job interview in “Good Will Hunting” (1997).

“Emily the Criminal” clicks because of Plaza. No Plaza, no clicking. Gershon and Rossi are great accoutrements who have seamless chemistry with Plaza, knowing how to play off her without deferring to her. It’s a confluence of smart casting, lived-in performances and directing by a person who understands his performers and their characters deeply. Still, Plaza: Not enough can be said about her subtlety, or how much she does with a sneer or a shift of her large, luminous eyes. It’s a filmmaking turn. After seeing “Emily” you’ll want more of her, both streaming (the above cited films are worthy) and in the future. My only (selfish) hope is that she doesn’t go commercial and get lost, the way Brie Larson (“Room”) did (“Captain Marvel”).