Tag Archives: seth-rogen

“The Invite”

11 Jul

The dinner itself is a messy and ribald look at marriage, says our review of “The Invite.”

Questions of happiness and fulfillment take center stage in “The Invite,” a barbed comedy about a couple at a bitter crossroads in their marriage. Angela (Olivia Wilde) and Joe (Seth Rogen) are further challenged by their upstairs neighbors who, over the course of a single dinner, amplify every marital tension with passive-aggressive relish. Wilde, the actress who served notice as a filmmaker with the puckishly insightful “Booksmart” (2019), then faltered with the 2022 “Don’t Worry Darling,” gets back to her funny-not-funny roots with this adaptation of the 2020 Spanish film “The People Upstairs.” 

The tart script by Will McCormack and Rashida Jones feels like it was written for the nuanced personalities of this cast. Seth Rogen centers the ensemble with his large and loud everyman, Joe, a failed musician who teaches music at a middling conservatory. Angela is a soul adrift. What defines them most as a couple — and holds them together — is their preteen daughter and their collective unease with their station in life. Bougie problems, to be sure, but palpable and real. They also haven’t had sex in nearly a year, and that’s why the dinner invite to the newish couple upstairs is such a loaded gambit. Joe wants to confront them about the raucous sex that keeps them up at night, while Angela admires the woman’s ability to have vigorous and vocal orgasms.

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Good Fortune

21 Oct

Keanu is the chain-smoking angel who flies away with this class comedy

Aziz Ansari, the shaggy-dog comedian (“Master of None”) known for his casual demeanor and biting social barbs, makes his directorial debut with this comedy about fate, happiness and how much the rich – and AI – are eating those further down the social ladder. “Good Fortune” is a devilish mix of light and dark that takes a good long time to reveal just how dark things can get, despite focusing on people sleeping in their cars because they can’t put a roof over their heads no matter how many jobs they work.

Even with the billing of Ansari and fellow comedy mainstay Seth Rogen, it’s Keanu Reeves who marches off with the film. It’s mostly the actor’s innate warmth and humanity that do the trick, but there’s also that dash of goofball vacancy that made the “Bill & Ted” movies so indelible and endearing that gives the film agency and air – a project that, in hindsight, might have otherwise floundered. 

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