Tag Archives: Somerville

Latest fatality of a bicyclist because of ‘dooring’ brings reminders of the lifesaving Dutch Reach

23 Aug

Bike Safety Measures Needed

By Tom Meek, Tuesday, August 23, 2022

A mobile traffic sign in Somerville promotes the “Dutch Reach” technique for bicyclist safety. (Photo: The Dutch Reach Project via Twitter)

Bicyclists are calling urgently for Somerville to install more protected bike lanes since the Aug. 12 death of Stephen Conley, 72, from a dooring on Broadway near Teele Square.

“Protected bike lanes prevent this kind of crash,” said George Schneeloch, a member of the Somerville Bike Safety group. “The city must work urgently to prevent future fatal crashes like this one by installing protected bike lanes in both directions on Broadway, so that bicyclists are kept clear of car doors.”

Somerville Mayor Katjana Ballantyne has committed to immediate safety changes, but not to a timeline for bike lanes, Schneeloch said. The commitment was reported Aug. 16 by StreetsblogMass.

There’s another solution that could have prevented the Conley crash, though, and doesn’t rely on potentially expensive infrastructure changes: the Dutch Reach, a method of opening a car door using the farthest hand from it.

The Dutch Reach prevents swinging a car door open fully and forces drivers’ heads to turn and see more of the surrounding conditions, said Michael Charney on Monday.

Michael Charney in a screen capture from “All Things Bike with Fred Thomas” in October 2019.

Charney, 76 and still getting around mostly by bike, is a retired physician and bicycling safety advocate who lives in Cambridge just outside Somerville’s Union Square – and credited as the originator of the term “Dutch Reach” and vital in getting adopted worldwide.

A dooring is when a driver opens a car door without looking and a cyclist crashes into it, often getting thrown into traffic. Massachusetts law says, “No person shall open a door on a motor vehicle unless it is reasonably safe to do so without interfering with the movement of other traffic, including bicyclists and pedestrians.” The fine for such a violation is up to $100.

Doorings account for 20 percent of bike crashes in Cambridge, according to city development officials. Jeremy Warnick, director of communications and media relations for Cambridge police, noted in a Tuesday email that July saw three doorings in Cambridge, and a severe dooring in Kendall Square in April that led to riders on a tandem bike being taken to a hospital after first aid was applied by officers on site.

The number of Cambridge bicycle crashes involving a “dooring” in 2020 was six, or 9 percent of the 66 total bicycle crashes reported to Cambridge police, but the number of citations issued for opening a door when unsafe that year was 58, Warnick said. In 2021, those figures were nine (or 12 percent of the 76 total bicycle crashes reported to police) and 50, respectively. Police see the pandemic as a cause for the drop from the typical 20 percent, Warnick said.

But data collection is complicated for doorings, said Charney and Galen Mock, executive director of the Massachusetts Bicycle Coalition. There are arguably accidents where near-doorings result in a fatality when the rider swerves into a traffic lane and is hit by a passing motor vehicle, but a dooring would likely not be recorded as a factor in the crash. A pending state Act to Reduce Traffic Fatalities would standardize how bike crash data is captured and categorized, Mock said in a Monday email.

Coining a term, starting a movement

The Dutch Reach, while an invention of the Netherlands, was introduced in this country by Charney after he was shaken by the dooring death of cyclist Amanda Phillips in Inman Square in June 2016. Charney launched the Dutch Reach Project by sending a series of “Dutch Reach haikus” to the Cambridge and Somerville police departments – and it was Somerville that took the haikus to heart and placed mobile traffic signs with Charney’s poems flashing on them. Charney’s work helped convince Massachusetts to include the Dutch Reach in its driver’s ed programs starting in 2017. Charney said he has gone on to speak via Zoom with cycling safety organizations as far away as Malaysia and India.

“I practically fell off the chair realizing that this is such a simple solution,” Charney said on the Maine-based “All Things Bike with Fred Thomas” in October 2019. “Dutch reach was my coinage, and it worked out very well for various reasons – one is ‘teach the reach,’ ‘preach the reach.’ What wasn’t appreciated by me at the time that I coined it was that there’s a whole string of [other phrases such as] ‘Dutch treat,’ ‘Dutch uncle,’ also there’s a thing ‘Dutch ding-dong’ that have outré connotations and create a buzz among millennials … Though there’s nothing dirty about the Dutch Reach. It just saves lives.”

Other paths to safety

Charney also endorsed the concept of a “road hierarchy” that places less legal onus on the most vulnerable on the road, starting with pedestrians, then cyclists, motorcycles and scooters, cars, SUVs and vans and, as the most dangerous, trucks and buses.

Another safety measure Charney suggested where there are “door zone bike lanes,” meaning those separated from parked cars only by paint on the road: Cyclists can “take the lane.” Riding in front of cars can be intimidating for cyclists, as motorists tend to get frustrated with slower-moving traffic and might honk or harass them, especially if there’s a bike lane available. But in Massachusetts a cyclist has the right to assume a full traffic lane on nearly all municipally maintained streets, Charney said.

Charney calls his solutions no-cost but partial, as he feels there’s no single cure-all for road safety, but many baby steps to safer roads – including that  “motor vehicle technology, sensors, cameras and computers, keep getting smarter and will be another partial solution to greater road safety.” But always check your mirrors, use the Dutch Reach and slowly, and look for fellow road users, he said.

Of Fox and Disney in 02138

12 Nov

Favorite cinemas in Harvard, Davis squares are unaffected – so far – as Mouse cages Fox

By Tom Meek

Repertory theaters see cause for concern at Disney’s new control over decades’ worth of Fox films, says Ned Hinkle, creative director at Harvard Square’s Brattle Theatre. (Photo: The Brattle Theatre)

The launch of the Disney+ streaming service next week may be good for stay-at-home watchers of the Mouse’s classics and Pixar films, “The Simpsons” and tourists in the “Star Wars” and Marvel universes, but it also could shake up repertory cinemas that screen titles such as “All About Eve,” “The Sound of Music,” “The Revenant,” “Alien,” the original “Planet of the Apes” and Terrence Malick’s “The Thin Red Line” – including Harvard Square’s Brattle Theatre and the Somerville Theatre in Davis Square.

Disney, which acquired 20th Century Fox for $71 billion this year, seems to be quietly locking away the studio’s trove of 100 years of classics into its “vault,” Vulture reported last month. Disney did not announce a policy, but the sudden cancellation of booked screenings of Fox films (“The Omen” and “The Fly”) at theaters around the country sparked panic through the cinematic community that the movies might become no longer be available for exhibition.

One common theory is that Disney doesn’t want a current product (a new film such as the upcoming “Frozen II”) to compete against one of its classic/repertory films (say, “Fantasia” or “Bambi”).

“I understand the rationale might be to send people to Disney’s streaming service,” said Ian Judge, manager of Frame One’s Somerville Theatre. “We had dealt with this issue with Disney before they purchased Fox, and in order to get Disney repertory we had to have them reclassify Somerville as a repertory house in their system, which means we no longer play new Disney product there.”

That means that you’ll see only Disney-owned classics in Davis Square; new films from the company play at Frame One’s Capitol Theatre in Arlington. “We have been lucky to have that option, but for single locations, it’s putting them in a tough spot,” Judge said. 

The Brattle happens to be one of those single locations. “At the moment,” said Ned Hinkle, creative director at the Brattle, “this is not an issue for the Brattle – or any other purely repertory cinema – but having such a large corporate entity in charge of such a huge swath of cinema culture has everyone on edge.” Hinkle echoed Vulture’s concern of “not knowing” Disney’s long-term plans for popular repertory titles such as “The Princess Bride,” “Fight Club” and “Aliens” and other entries on Fox’s vast slate. The academically affiliated Harvard Film Archive is another “single location” repertory house that is not affected.

The one Fox film that Disney is keeping its paws off: Late-night cult classic “The Rocky Horror Picture Show,” which has had runs at the shuttered cinemas in Harvard Square and at the Apple Cinema at Fresh Pond (a nonrepertory theater) and is slated to play AMC’s non-rep Boston Common theater Saturday. But “Rocky Horror” has no Disney product to compete with.

More will likely become known as Disney+ launches, but for now, here, let the projectors roll.

Theater Updates

21 Dec

Trip to the movies changes for the luxurious, with more upgrades on the way along red line

Theaters by Alewife, Kendall, Davis and Harvard are all being refashioned

 

Apple Cinemas at Fresh Pond has received a refresh that includes luxurious recliners and reserved seating. (Photo: Apple Cinemas via Facebook)

Christmas and the usual slew of seasonal film openings is right around the corner, so after the tinsel trimming, paper shredding and eggnog overload, a trip to the cinema may be just what’s needed to take the edge off all the holiday cheer. Maybe a family excursion to Apple Cinemas at Fresh Pond, or perhaps a somber arthouse seating at the Landmark Kendall Square Cinema? If you haven’t been to these venues recently, there’s been considerable change – and more is coming.

For one, both theaters replaced their old stadium-style seats recently with recliners (Kendall has a mix of recliners and rockers, which are a bit less like a La-Z-Boy) and Apple Cinemas now features reserved seating like the AMC in Assembly Square, as well as self-serve ticketing and concessions. All of this is part of a trend in cinema-going sparked by lux-experience theaters (see: Showplace Icon at Seaport or the Showcase SuperLux Chestnut Hill). Almost two years ago Landmark added beer and wine, with general manager Howard Sandler pointing to the local brewers among the offerings.

Also this month, the parent company of the Kendall Square Cinema, Landmark Theatres, was sold by Mark Cuban’s group to Cohen Media Group, an independent film distribution company formed in 2008 with such credits as “Frozen River.” The deal ends months of speculation that saw Amazon and Netflix in the running. Just how the deal will affect the chain and Kendall Square location specifically is unclear, but the group’s head, Charles S. Cohen, is a cinephile. The news is likely only good and comes at an opportune time: The site has been affected greatly by a two-year construction buildout out front that has made getting to the theater difficult and confusing.

Across the line in Davis Square, the Somerville Theatre just renovated downstairs theaters 2 and 3 with new seats, a Dolby sound system upgrade and wide screens that pretty much ensure there’s not a bad viewing angle in the house. Director of operations Ian Judge says renovation of the restrooms and lower-level lobby area is next. 

Richard Fraiman – owner of Frame One Theatres and operator of the Somerville Theatre and Capitol Theatre in Arlington – is slated to add the theater space in the old Harvard Square AMC on Church Street whenever a new structure is ultimately built out. According to attorney (and former Cambridge mayor) Anthony Galluccio, who represents property owner Kirche and billionaire developer Gerald Chan, demolition of the old building is scheduled for January with an ongoing review by the Cambridge Historical Commission. Traffic counters have been posted to help gauge traffic impacts from demolition and construction, as well as for business use when the 60,000-square-foot structure is finally built. Given the congestion in Harvard Square and proximity to the T, demolition and construction will need to be done with some care. 

The theaters there have been dark since since AMC sold it to Charles Hotel owner Richard Friedman back in 2012 for $6.5 million. Kirche picked it up for $17.5 million in 2014. Amid allegations of real estate warehousing, the city pressured Chan for development plans. Estimates for the building’s completion are early to mid-2020s. The mixed-use building will have two below-ground theaters that Frame One will program. Judge said it’s hard to say anything else beyond that until there is an actual space to lease.

The Brattle Theatre carries on meanwhile as the square’s cinema stalwart, but the future for cinephiles seeking screenings off the red line looks bright.

The Sound of Silents

22 Apr

The Berklee Silent Film Orchestra learns to score films hands on in their collaboration with Sounds of Silents at the Coolidge Corner Theatre.

Cineastes and those intrepid enough to dig around in the recessed archives of the Criterion Collection may be well attuned to the silent works of Buster Keaton, Charlie Chaplin, D. W. Griffith and Fritz Lang, but most have likely never experienced the full magic of those early filmmakers’ classics as they were intended at the time of their release—with a live musical accompaniment.

Back in the early part of the last century, pitted orchestras and organists nestled in nooks fervently tapped out the scores for Sergei Eisenstein’s “The Battleship Potemkin”(1925), Raymond Longford and F. Stuart-Whyte’s “Sunrise” (1926) and Lang’s “Metropolis” (1927) to heighten the audience’s immersion and to create the perfect confluence of visual and aural arts.

It was a time when the filmgoing experience was more than a bag of popcorn and a digital hard drive. These were gala events driven by blood, sweat and synergy. And now, thanks to the efforts of two sustaining programs in the Boston area, it is possible to hear and see the silents as they were nearly a century ago.

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