Tag Archives: Somerville Theater

Theater Updates

21 Dec

Trip to the movies changes for the luxurious, with more upgrades on the way along red line

Theaters by Alewife, Kendall, Davis and Harvard are all being refashioned

 

Apple Cinemas at Fresh Pond has received a refresh that includes luxurious recliners and reserved seating. (Photo: Apple Cinemas via Facebook)

Christmas and the usual slew of seasonal film openings is right around the corner, so after the tinsel trimming, paper shredding and eggnog overload, a trip to the cinema may be just what’s needed to take the edge off all the holiday cheer. Maybe a family excursion to Apple Cinemas at Fresh Pond, or perhaps a somber arthouse seating at the Landmark Kendall Square Cinema? If you haven’t been to these venues recently, there’s been considerable change – and more is coming.

For one, both theaters replaced their old stadium-style seats recently with recliners (Kendall has a mix of recliners and rockers, which are a bit less like a La-Z-Boy) and Apple Cinemas now features reserved seating like the AMC in Assembly Square, as well as self-serve ticketing and concessions. All of this is part of a trend in cinema-going sparked by lux-experience theaters (see: Showplace Icon at Seaport or the Showcase SuperLux Chestnut Hill). Almost two years ago Landmark added beer and wine, with general manager Howard Sandler pointing to the local brewers among the offerings.

Also this month, the parent company of the Kendall Square Cinema, Landmark Theatres, was sold by Mark Cuban’s group to Cohen Media Group, an independent film distribution company formed in 2008 with such credits as “Frozen River.” The deal ends months of speculation that saw Amazon and Netflix in the running. Just how the deal will affect the chain and Kendall Square location specifically is unclear, but the group’s head, Charles S. Cohen, is a cinephile. The news is likely only good and comes at an opportune time: The site has been affected greatly by a two-year construction buildout out front that has made getting to the theater difficult and confusing.

Across the line in Davis Square, the Somerville Theatre just renovated downstairs theaters 2 and 3 with new seats, a Dolby sound system upgrade and wide screens that pretty much ensure there’s not a bad viewing angle in the house. Director of operations Ian Judge says renovation of the restrooms and lower-level lobby area is next. 

Richard Fraiman – owner of Frame One Theatres and operator of the Somerville Theatre and Capitol Theatre in Arlington – is slated to add the theater space in the old Harvard Square AMC on Church Street whenever a new structure is ultimately built out. According to attorney (and former Cambridge mayor) Anthony Galluccio, who represents property owner Kirche and billionaire developer Gerald Chan, demolition of the old building is scheduled for January with an ongoing review by the Cambridge Historical Commission. Traffic counters have been posted to help gauge traffic impacts from demolition and construction, as well as for business use when the 60,000-square-foot structure is finally built. Given the congestion in Harvard Square and proximity to the T, demolition and construction will need to be done with some care. 

The theaters there have been dark since since AMC sold it to Charles Hotel owner Richard Friedman back in 2012 for $6.5 million. Kirche picked it up for $17.5 million in 2014. Amid allegations of real estate warehousing, the city pressured Chan for development plans. Estimates for the building’s completion are early to mid-2020s. The mixed-use building will have two below-ground theaters that Frame One will program. Judge said it’s hard to say anything else beyond that until there is an actual space to lease.

The Brattle Theatre carries on meanwhile as the square’s cinema stalwart, but the future for cinephiles seeking screenings off the red line looks bright.

The 13th Annual Independent Film Festival Boston

30 Apr

‘Gather Round’ For The 13th Annual Independent Film Festival Boston

A scene from "The Look of Silence." (Courtesy)

The tagline’s meant to underscore not only the concept of old fashion storytelling around the communal fire pit, but also the sense of community among filmmakers and filmgoers alike and the cross pollination of the two. Something the festival has had great success with in the past, bringing in such distinguished guests as Academy Award-winning actor Ben Kingsley and groundbreaking documentarian Albert Maysles. Local boy Casey Affleck has lent to the fest’s cred too, serving as its creative adviser and the popular indie actress Lili Taylor, starring in the new TV series “American Crime,” sits on the advisory board.

The festival has become something of Sundance East, with lines from the Somerville Theatre in Davis Square stemming around the block as eager moviegoers chase that elusive last ticket or hope to snag that prized center seating. But with sellout after sellout, the festival is still changing and growing.

“We want to be more,” says executive director Brian Tamm, “we want to do more with the city of Somerville and the arts community. We want to be more of resource and community for filmmakers here in Boston and Massachusetts. We also want to expand more into Boston.”

Tamm cites the UMass Boston “Works in Progress” program and award given to a promising documentary not yet completed. There are also select screenings, he says, at the Coolidge Corner Theatre, but Davis Square is the de facto hub of the fest with other regular screenings augmented at the Brattle Theatre in Harvard Square.

A scene from "Results." (Courtesy)

That’s the future, for now IFFB has proven its mettle; for 13 years IFFB has operated on a wholly volunteer structure, but things have started to change. With the departure of longtime program director Adam Roffman (who remains on as a board member) last year, Tamm took on the newly created executive director role and longtime festival organizer, Nancy Campbell took over the reigns as program director. Part of the reason for the new structure, now capping its second festival, was to give prospective sponsors a conventional front door to gain traction with easily versus the “kibbutz” style, as Tamm jokingly calls the old “by committee” structure, that may have caused confusion with past potential investors and other backing organizations.   Continue reading