Tag Archives: Basketball

The Way Back

8 Mar
TORRANCE

Watching “The Way Back,” the story of an alcoholic has-been who finds redemption taking the reins of a losing high school basketball team, I was pretty sure I was taking in something based on true events. A quick gander of the press notes and the answer was a solid nay, and somehow I felt cheated. I mean, would “Hoosiers” (1986) resonate as thoroughly if it weren’t true?

Given that the film stars Ben Affleck with his tabloid-chronicled struggles with alcohol, there’s a truth here that you can feel in the actor’s convincing “been there” performance. Affleck has puffed up for the role; he’s boxy and bloated. Gone is the buff Batman physique, and his face is weary and heavy. It’s a lived-in performance that may go down as one of Affleck’s finest, even if the film, while hitting all the requisite marks, feels thin – moving and meaningful, sure, but thin.

We catch up with Affleck’s Jack Cunningham working a construction job in L.A. He’s isolated, a barely functioning alcoholic who pops a can of beer in the shower each morning but at least has the presence of mind to get a ride home from the bar each night. During a tense Thanksgiving dinner at his sister’s house we learn Jack was once an all-state ball player at a small Catholic high school and had a scholarship to the big time, but events sidelined his success and have him separated from his wife, Angela (an effectively sensitive Janina Gavankar). The opportunity for Jack’s “way back” comes in the form of a random call from the head of Jack’s old high school. Turns out the basketball coach had a heart attack; the school asks Jack to step in, even though he hasn’t picked up a ball in 20 years, let alone ever coached.

The crew Jack has to oversee is fairly pat platoon of misfits and castoffs, unable to win a game against a team of gnomes, including the slack showboat who thinks he’s better than he is (Melvin Gregg), the full-of-himself ladies man (Will Ropp), the portly prankster (Charles Lott Jr.) and the team’s taciturn star with home life challenges (Brandon Wilson). The assemblage of coach and kids who need each other screams cliché, but director Gavin O’Connor – who’s been down this path before with “Miracle” (2004) and “Warrior” (2011) – keeps things gritty and realistic, adroitly avoiding what otherwise might have been maudlin pitfalls. The script by Brad Ingelsby (“Out of the Furnace”) may come off as forced and coy in the way it introduces backstory and developments, but to its credit, it moves in directions that are anything but Hollywood. The real buzzer beater here, however, is the chemistry between Affleck and his squad. Sure, they grow as young men and the team begins to come together and win, but it’s more palpably conveyed than just simply checking those boxes. The dynamic with Jack’s sensitive assistant coach (Al Madrigal), a math teacher who’s onto Jack saucing it up in the office, helps deepen the complex nature of addiction and recovery. Overall, “The Way Back” might not be an instant classic, but it is a sobering spin on hopelessness and despair and finding the way forward.

Nowitzki: The Perfect Shot

24 Jul
<i>Nowitzki: The Perfect Shot</i>

As a hagiographic ode, Sebastian Dehnhardt’s documentary covers the life and career of Dallas Maverick’s all-world superstar, Dirk Nowitzki, from gangly kid in Würzburg, Germany, where he was often told he was “too small to play,” to NBA top gun. For such a rah-rah career-capping fist bump, The Perfect Shot offers enough surprises, insights and revelations to be more than just a Sports Center highlight reel.

Part of that comes in the fact that Dehnhardt is German too and has deep personal knowledge of Nowitzki’s roots and the history of basketball in their homeland, which was brought there in the ’30s, by an obsessive who went to America to encamp with the game’s founder, James Naismith. We catch up with Nowitzki, now in his mid-thirties, heading toward retirement and the Hall of Fame, at the doctor where we learn that most of his joints have severe ailments from the stress of the game. One teammate remarks that it’s amazing that Nowitzki is so stiff and gimpy yet can take the court and “drop in thirty or forty points, and [make] it look easy.”

One reason for that is Nowitzki’s longtime partnership with Holger Geschwinder, who’s been a mentor to Nowitzki since he was a teen and now serves as part of the Mavericks’ coaching staff. Their workout sessions are long, grueling ordeals during which Geschwinder—who teammate Vince Carter refers to as “the mad scientist”—is always looking for a new physiological or scientific (he has a physics background) means to give Nowitzki the edge. Geschwinder, Mavs’ coach Rick Carlisle and rival Kobe Bryant all weigh in on conditioning, endless practice and execution. In his down time, Geschwinder seeks the object of the film’s title—a shot that’s not blockable and able to drop through the hoop without possibility of hitting and bouncing off the rim (which he calculates to require an arc of sixty degrees).  Continue reading