Tag Archives: Werner Herzog

Lo and Behold

21 Sep

Werner Herzog mines the net for a documentary look at the future 

Virtual Insanity

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In Lo and Behold, famed director Werner Herzog takes a look at the digital world's effect on our own reality

Courtesy of Magnolia Pictures

In Lo and Behold, famed director Werner Herzog takes a look at the digital world’s effect on our own reality

In 10 micro chapters, Werner Herzog, the director of the classic odysseys Fitzcarraldo (1982) and Aquirre, the Wrath of God(1972), tackles the internet, its rise, and the perils and promise of a connected world. The scope and the questions are nothing new — “Who is going to be liable if a computer makes a mistake?” Herzog asks about self-driving cars — but the filmmaker’s laid-back yet probing style and quest for getting at the human condition is nothing short of infectious, viral, if you will.

The segments, with pointed titles like “The Internet of Me,” “The Glory of the ‘Net,” and, of course, “The Future,” each delve into a different facet of the internet, be it historical or conjecture. Herzog buffers most of the blips with the Dickian question, “Does the internet dream of itself?” The segments that provoke the most are the segments that tackle the downside of being connected. One woman tags the Net as a “manifestation of the Anti-Christ.” The underscoring of that is a family who lost their daughter in a car accident, and the pain that the graphically snapped photos from the scene inflicted on them during their grieving as they were unleashed out onto the web, ever proliferating, unretrievable and unstoppable.

That tale of tragedy becomes the sad underbelly to hypertext inventor Ted Nelson’s optimistic allusion to water as a metaphor for flow of connectivity. Other notable talking heads in the documentary include convicted hacker Kevin Mitnick, and Pay Pal and Tesla entrepreneur Elon Musk. Continue reading →

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The Look of Silence

30 Jul

‘The Look Of Silence’ Turns A Compassionate Eye To Victims Of An Indonesian Massacre

A scene from Joshua Oppenheimer’s documentary "The Look of Silence." (Courtesy Drafthouse Films and Participant Media)

A scene from Joshua Oppenheimer’s documentary “The Look of Silence.” (Courtesy Drafthouse Films and Participant Media)

“The Look of Silence,” the new movie from filmmaker Joshua Oppenheimer, delves into the same period of bloody unrest that marred Indonesia in the mid-1960s that his highly lauded 2012 documentary, “The Act of Killing” plumbed, but from an entirely different angle.

“Killing,” which was nominated for the Academy Award for Best Documentary, allowed the sadistic perpetrators behind the mass executions to put their own spin on their unconscionable deeds, but not without Oppenheimer’s subtle, yet biting illumination of the heinous nature of their transgressions and the unrighteous impunity they received from a capitulating government looking to bury the past and move on. “Silence,” by stark contrast, is the salving counter flow to “Killing,” a cathartic podium for the survivors and family of the victims who live with daily reminders of the ghastly past and the constant duress of a reoccurrence.

How Oppenheimer arrived at such a place of riveting paradox, ghostly horrors and egregious complacency is almost as compelling a story as the ones told in his films and the tumultuous history of the Islamic archipelago. As a college graduate in his 20s, Oppenheimer signed on with the International Union of Food and Agricultural Workers to make a documentary somewhere in a developing nation to highlight workers’ rights violations on plantations and mass producing farms.

“It could have been anywhere,” the filmmaker recalls, “you’d think  South America or Africa, but I went to Indonesia.” While working on the documentary Oppenheimer found it difficult to get the workers, who were working under what the director calls “slave-like conditions,” to open up. “There were these thugs there that kept silencing them. The workers were really fearful and when someone finally said something they told me about 1965.”

Oppenheimer who studied filmmaking at Harvard and resides in Copenhagen, admittedly (at the time) didn’t know the full extent of the atrocities that lay in Indonesia’s bloody past. Back in the mid-1940s, the Dutch colony won its independence from the Netherlands after the island was released by the Japanese at the end of the Second World War. Its first president, Sukarno, a galvanizing hand in the quest for independence, would lead the country for nearly 20 years until the September 30th Movement, an attempted coup allegedly initiated by the Communist Party of Indonesia (PKI) — there has been speculation of a plot from within the military — that would send the island nation into turmoil — something that the gripping historical drama, “The Year of Living Dangerously” (1982), starring Mel Gibson and Sigourney Weaver, captured quite well.  Continue reading →

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