Tag Archives: True

Hotel Mumbai

28 Mar

‘Hotel Mumbai’: Caught in a terrorist attack, relying on themselves, each other to survive

By Tom Meek

Image result for hotel mumbai movie

 

The other day I was talking with some folk about the dark comedic virtues of Peter Bogdanovich’s “Targets,” which was made back in 1968 and clearly inspired by the Charles Whitman shooting spree of 1966. On that fateful Aug. 1, Whitman killed 16 people and shocked a nation that had never seen such carnage (now sadly common). It surfaced in Stanley Kubrick’s brilliant antiwar film “Full Metal Jacket” (1987) when R. Lee Ermey’s indelible drill instructor extols the virtue of Whitman’s marksmanship, and two years ago, in the riveting, animated documentary “Tower,” which outlined law enforcement’s inability at the time to deal with such a threat quickly or effectively, resulting in the formation of SWAT and other tactical response units. There’s a similar case in “Hotel Mumbai,” a based-on-real-events drama revolving around a 2008 terrorist attack and ensuing siege at the world-renowned Taj Mahal Palace Hotel. As history and Anthony Maras’ feature debut has it, Mumbai, a city of more than 18 million people, essentially had no response to deal with a handful of well-coordinated extremists armed with assault weapons and a take-no-prisoners mandate.

The film’s a nail-biter, to be sure, and quite effectively paced. We get to know some of the potential victims and heroes intimately, the way we did in Paul Greengrass’ harrowing 9/11 saga, “United 93” (2006). Perhaps to give the film a more international appeal and a Western flavor, much of the action hangs on an American architect named David (Armie Hammer) and his Middle Eastern wife Zahra (Nazanin Boniadi). Early on, before the shit goes down, the couple joke that they should have left their newborn at home (to enjoy more romantic time together), and probably wish that were so during the attack; they spend much of the hours-long assault separated from the baby, who’s vaulted inside a palatial suite with a rightfully hysterical nanny (Tilda Cobham-Hervey). From the staff side, we imbed with Arjun (Dev Patel, “Slumdog Millionaire”), a compassionate waitperson, and the strict but fearless head chef, Hemant Oberoi (Anupam Kher) who runs his kitchen like a military operation. Continue reading

Spotlight

7 Nov

Michael Keaton leads an ensemble cast in the riveting investigative drama Spotlight

Shine a Light

slat.jpg

Spotlight is rare journey into journalism that gets at the heart of its investigators’ subject without grandstanding the personalities or personal lives of those doing the poking around. Like the classic All the President’s Men and David Fincher’s Zodiac, Spotlight rides the rails of well-known history — in this case, the Catholic pedophilia scandal in Boston — but despite the anticlimactic nature of knowing how it ends, the film unfurls with intrigue, putting the viewer in the seat of those unearthing the unseemly truths, learning in the moment as the moment unfolds. The simple and earnest approach casts a sympathetic, but never maudlin, light on the victims of child sexual abuse during the 1980s and 1990s with a subtle poignancy that ultimately builds to a roar.

At the center of Spotlight looms the tribal, nepotistic nature of Boston, where hushing up crimes is easily accomplished with money and strong-arm tactics. It’s a world where the powerful prey upon the weak, in this case pedophilic priests targeting boys and girls from the city’s vanishing blue-collar neighborhoods. Many of these children were from broken homes without a stable male figure and riddled with substance abuse.

Spotlight takes its name from the Boston Globe investigative team that ultimately uncovered the massive church cover-up. At the center of the film is team editor Walter Robby Robinson (Michael Keaton). Like many Bostonians he was raised Catholic and went to a Catholic high school across the street from the Globe. And it’s not until the arrival of new managing editor Marty Baron (Liev Schreiber), a solemn Jew up from Miami, that Robby and the Spotlight crew begin looking at the link between the abuse cases. Although you get the sense that Robby only reluctantly pursues the case at first, he and his team ultimately become dogged pursuers of the truth who are more than willing to go up against the iconic institution of their rearing, an institution protected by money, reach, and power.

Director and co-writer Todd McCarthy, who’s had great success plumbing the heart of everyday human drama with The Station Agent and The Visitor, succeeds again with Spotlight, thanks in part to his ensemble cast, including Rachel McAdams, Mark Ruffalo, Stanley Tucci, John Slattery, and Billy Crudup. In the end, McCarthy’s film is about truth and reckoning and the prospect of giving a modicum of vindication to those broken and tormented souls who suffered at the hands of those they most trusted.