‘What She Said: The Art of Pauline Kael’: Sweet kiss for film critic with acid tongue
“What She Said: The Art of Pauline Kael” is framed with tape recording of Kael being interviewed by a young girl who gaily asks the critic her first movie (Chaplin) and later, her favorite film is (a detail I’ll let the moviegoer discover). Kael, who lived in Great Barrington and died just before 9/11, came from humble roots in Northern California, where she attended college at Berkeley. She never graduated, failed as a playwright in New York and her one marriage ended quickly, but throughout it all she maintained a deep passion for emotion-provoking narratives, be they bound by book jacket or cinematically projected. Her early reviews were on radio and for free, but being a single mother Kael looked to get paid for her labor; before landing at The New Yorker she was at McCall’s, which ended badly.
Film clips spruce up the narrative, sometimes to echo Kael’s thoughts and other times simply as illustrating the film being trumpeted or impaled. We get Kael’s personal reflections from letters and other scrawlings read by Sarah Jessica Parker in voice only, evoking a smooth, husky Hollywood starlet persona that feels warmly congruent with the actual Kael we hear at the bookends, and in interview clips with Dick Cavett and other TV talk show hosts of the era. Plenty of celebrities lend their talking heads to the project, most prominently screenwriter/director Robert Towne (“Chinatown”), Alec Baldwin and film-nerd-turned-auteur Quentin Tarantino. Continue reading
Ebert, who grew up of modest means in Illinois, was obsessed at a very young age with newspapers and telling stories. At the University of Illinois he relished being the school paper’s editor and making critical editorial and ethical decisions on matters of world-shaping importance, most notably the assassination of John F. Kennedy. He would later stumble into the post of film critic at the Chicago Sun-Times when being a film critic was not a coveted or much respected job. Along with Pauline Kael, Andrew Sarris and Gene Siskel, he helped redefine the role of the critic and transform it into an art form. 
For What it's Worth 