‘The Book Thief’: Stars and cinematography overcome cheapening of Holocaust setting
November 22, 2013
Call me a curmudgeon about all these flimsy, quick-read books hitting on one or two hot issues and built around a slightly-more-than two-dimensional hero or heroine that become template fodder for profitable spins into film. “Twilight” may be the most egregious example, but “Fifty Shades of Grey,” itself notoriously birthed from the “Twilight” franchise, is in the making. Then there’s the “Hunger Games.”
Why is a book about the Holocaust lumped in with this phenomenon? Because Markus Zusak’s novel, which the movie “The Book Thief” is based on, is little more than a safe, PG-rated watering down of the horrific events that took place in Germany leading up to and during World War II. It’s more young adult than dramatic literature or historical record. And, as a matter of fact, it’s not history at all, but historical fiction, a genre that like YA is fertile ground for studio execs seeking a ready-made and willing-to-pay audience. Continue reading