Many of the films that ended 2014 may have made it ‘the year that went out with a raspy whimper’ (I’ll cite Angelina Jolie’s tepid and staid WWII prison camp endurance tale, “Unbroken,” and the insufferable video game of a movie known as the “The Hobbit: The Battle of Five Armies”), but then there was the now notorious Sony cyber-attack, allegedly perpetrated by North Korea in a move to save face and flex its muscles, that not only derailed the Kim Jong-un assassination comedy, “The Interview,” it brought up issues of freedom of speech and knuckling under to terrorism.
Making the tabloids salivate like Pavlovian hounds, there was thespectacular fallout in Tinseltown where the public gained access to cringeworthy emails and the spoiled inside working of the movie industry as producers’ debasing inner thoughts, like bashing Jolie as “talentless,” made front page news. This exposed the ugly glass ceiling, like how poorly Jennifer Lawrence was compensated for “American Hustle” compared to her male counterparts, that still pervades.
2014 was also the year of the “serial spin-out.” Thankfully, and mercifully, “The Hobbit” series closed— a franchise, that began as a novel idea, became an arduous and stilted endeavor. Meanwhile, “The Hunger Games” franchise with “Mockingjay– Part 1,” began to show signs of diminishing returns, losing its sharp litheness and bouncing around with all the grace of a blued-footed booby as the rebel uprising took root. The series concludes with “Part 2″ early in 2015.
On the upside, 2014 offered many unique indie selections. While there was a dearth of quality animation, documentaries, and foreign language films, those that graced the screen were provocative and well told narratives that affected as much as they enlightened. Dropping an unexpected haymaker during blockbuster season, a quirk-propelled comedy with action that takes place in outer-space, registered the best entry of all the Marvel (comics)-to-big-screen adaptations to date.
Here are my picks of 2014’s best films:
Under the Skin: A sublime take on another worldly incarnation preying among us. This is Scarlett Johansson’s best performance of her young career and Jonathan Glazer (“Sexy Beast”) channels Kubrick wit with freshness. It’s based on Michel Faber’s book, but plays out nothing like it and transcends in adaptation and concept.- Boyhood: Twelve years in the making, every drop of blood, sweat, and tears of Richard Linklater’s arduous labor about a family in transition is deeply felt in this film.
- Birdman: Michael Keaton and Emma Stone are superb in Alejandro González Iñárritu’s spin on a former action hero trying to cut it on Broadway. The fact that Keaton played Batman is the icing on the cake.
- Wild: Jean-Marc Vallée (“Dallas Buyers Club”) and Nick Hornby (“About a Boy”) bring Cheryl Strayed’s memoir of redemption to the screen with focus and control. Reese Witherspoon gives it heart and soul and Laura Dern gives it passion and reason.
- Listen Up Stuart: A quirky take on academic/literary life that casts shadows of Philip Roth and “The World’s Most Interesting Man.” Definitely something in from left field which is part of its charm.
- Guardians of the Galaxy: It channels a touch of “Star Wars” and “Raiders of the Lost Ark,” making it the best Marvel series to hit the screen.
- Inherent Vice : “Chinatown” meets gonzo journalism with Joaquin Phoenix as Paul Thomas Anderson’s far-out 70’s PI who smokes dope as part of his investigative procedure.
- The Imitation Game : The trials and tribulations of Alan Turing and his computer crew who cracked the Nazi code and helped turned the tide in WWII. The ensemble cast includes Benedict Cumberbatch as Turing and Keira Knightley, who gives the era piece new light and soul.
- Only Lovers Left Alive: Jim Jarmusch tells the tale of ageless hipsters who happen to be vampires. It’s sardonic and witty with the ethereal Tilda Swinton, who might enjoy a cup of blood with ScarJo’s celestial from “Under the Skin.”
- Foxcatcher : An American tragedy that revolves around eccentric billionaire John du Pont and his obsession with wrestling. Steve Carell gives a breakout performance as du Pont and Channing Tatum turns in his best work as a wrestler under the chemical heir’s thumb.
Also
Best Documentary: Citizenfour: You can’t make this up and due to circumstance and timing it all happens in real time before whistle blower Edward Snowden became headlines news. Provocative questions about privacy rights and what it means to be a patriot in the cyber age.
Runners Up; Life Itself and The Last Days in Vietnam
Best Animated Feature: The Tale of The Princess Kaguya: subtle but affecting Japanese fairytale about a young girl born to an elderly woodland couple and blossoms into a princess who puts a kingdom on notice, but there’s a catch.
Runners Up: Rocks in My Pockets and The Lego Movie
Best Foreign Language Film: Leviathan: The story of Job gets transposed to a small north coastal Russian town where the mayor is more Mafioso than magnanimous. Haunting, cruel and biblical in the turns and contemplations it takes. Tarkovsky would be proud.
Runners Up: Ida and Two Days, One Night
The Jolie slam gave me pause. She’s always conducted herself in ways that have invited ridicule (her blood vial marriage to Billy Bob Thornton, the incestuous podium posing with her brother and the weird, estranged relationship with dad, actor Jon Voight). But how could the woman who won an Academy Award (for “Girl Interrupted”) and made an impressive directorial debut with “Blood and Honey” – a provocative, Bosnian-Serbian updating of “Romeo and Juliet” – be “talentless”? 
Vallée’s not the only person on “Wild” wearing two hats: Witherspoon bought the film rights to Strayed’s memoir and earns a producer’s cred as well. She’s dutiful as Strayed (not the writer’s given name, but the apt name she takes after her personal demons derail her first marriage) setting out on the arduous walkabout to find herself, purge and repent. When we meet her she’s angry at the mountain and nature, having just lost her hiking boots atop a summit, and we flash back to the start of the trek to see Strayed even more naive in the ways of navigating the wild. 
While “The Cruise” was a straight-up documentary, “Capote” (2005) and “Moneyball” (2011) were liberal, adapted spins on real lives and real events, both featuring outstanding performances by the late Philip Seymour Hoffman and the latter garnering perhaps the finest performance of Brad Pitt’s long career. Miller’s latest, “Foxcatcher” is dead in the mold of those films, and the indie auteur’s most soul-plumbing film so far. 
The good news for all our collective futures is that farmer Matthew McConaughey is a former NASA pilot; the bad news is that NASA no longer exists, but through a paranormal, “Close Encounters” kind of interference, the southern drawling actor’s Cooper is pointed to a grid point on the map not too far away where the vestiges of the space agency – and the hope of humankind – reside with Michael Caine and his daughter, Anne Hathaway. Cooper is the only one with mission experience, and before the clock ticks any further he and Hathaway’s Amelia Brand are on a turbo-charged space shuttle-like vehicle and heading toward a black hole. 
For What it's Worth 