Tag Archives: Phillip Seymour Hoffman

Licorice Pizsa

26 Dec

‘Licorice Pizza’: Head over heels for Alana Haim in the shaggiest of ’70s Southern California tales

By Tom Meek Thursday, December 23, 2021

Alana Haim and Cooper Hoffman in ‘Licorice Pizza’.

Fans of Paul Thomas Anderson’s early, quirky works – “Boogie Nights” (1997) and “Magnolia” (1999) – will delight in his latest. That’s not to say that “There Will Be Blood” (2007), “Phantom Thread” (2017) and “Inherent Vice” (2014) are not insignificant films, because they are; it’s just there’s a dark, cheeky breeziness to those earlier efforts and a style and a tone that propels “Licorice Pizza” from the first frame. The opening scene homes in on 15-year-old Gary (Cooper Hoffman, son of frequent Anderson collaborator Phillip Seymour Hoffman’) loquaciously prattling away to a young woman named Alana (Alana Haim), who’s clearly older (in her 20s). It’s a long, well-choreographed tracking shot that takes us from the long paths of a verdant courtyard to the innards of a school’s gym, where Gary is to get his high school photo. Gary, we learn, is a child actor of some notoriety but on the cusp of aging out, an epiphany that doesn’t put a damper on so much as free up an abundance of other ambitious ideas, including dating Alana. “I met the girl I’m going to marry one day,” he tells a friend. Alana, surprisingly, agrees to a date at a local steakhouse (the infamous Tail o’ the Cock) and later chaperones Gary to a hit TV show reunion in New York City, where one of Gary’s fellow child stars swoops in on her.

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I’m Thinking of Ending Things

4 Sep

I’m Thinking of Ending Things’: Breaking up – hard to do even without a blinding storm of meta

By Tom Meek

The latest from the mind of Charlie Kaufman, the man who penned “Being John Malkovich” (1999) and “Eternal Sunshine of the Spotless Mind” (2004), making his third directorial effort feels something of a follow-up to his trippy yet meandering 2008 debut, “Synecdoche, New York” if co-written by David Foster Wallace. Interestingly enough, Wallace is one of the many solemn topics discussed in “I’m Thinking of Ending Things” by Jake (Jesse Plemons) and his girlfriend (Jessie Buckley, whose character is never given a name and is referred to in the credits only as “the young woman”) on an arduous road trip. Other pleasant and not so pleasant subjects arise as the two sail through a brimming snowstorm: Mussolini, Wordsworth, the musical “Oklahoma!” and suicide bombers – routine stuff, in Kaufman’s universe.

Tellingly, as the sojourners dig intellectually deep into anything grim or arty, their seeming road to nowhere takes on an existential quality, an apt reflection of where the couple’s relationship is likely heading on their way to meet Jake’s parents. They’ve been dating for a few weeks and already the pairing seems doomed, if not done. The title, taken from Ian Reid’s novel (that the film is based on) is not about suicide, as one might think, but the refrain in voiceover asides by Buckley’s passenger about how she needs to end things with Jake each time he responds to her vibrant snark with glum counter offerings.

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