Tag Archives: MeToo

Unsane

23 Mar

 

 

There’s little room for debate that Stephen Soderbergh’s one of the most intriguing directors working (Paul Thomas Anderson and Nicolas Winding Refn are also on that list, to give you a taste). There’s not much the “considering retirement” auteur hasn’t tinkered with: non-professional actors (“Bubble”), a “serious film” staring a porn actress (“The Girlfriend Experience”), a Liberace biopic (“Behind the Candelabra”) and of course more mainstream fare such as “Traffic” that scored him an Oscar. Many of Soderbergh’s films, such as “Magic Mike,” the “Ocean’s” films and “Logan Lucky,” possess a playful wit. He seems to be able to conjure up a hip nod and a wink on a dime and adroitly inject a seam of bleak reality as need be (see “Contagion,” or “Sex, Lies and Videotape”). Here Soderbergh tries something new – not groundbreaking, to be sure, but genre-savvy nonetheless and shot on the down low with iPhones (not new, as Sean Baker did a similar trick for his quirky indie gem “Tangerine”). Despite all those curiosity-piquing tags, the result’s a muddled mix of great performances, edgy atmosphere and infuriating “is this really happening” plot twists.

If you’ve caught any of the trailers for “Unsane,” you might think it’s somewhere between ’80s (well 1979, to be exact) B-roll from “When a Stranger Calls” and M. Knight Shyamalan’s “Split” (2016). It lies somewhat closer to “One Flew Over the Cuckoo’s Nest” with elements of the aforementioned flicks sprinkled in, and it’s a tough movie to discuss without spoilers. We meet up with the gloriously named Sawyer Valentini (Claire Foy from “The Crown”) a young woman who works a generic job in a generic office with a married male boss whose mawkish demeanor and suggestion for a team trip – just them two – verges on a #MeToo violation. Sawyer, no pushover, seems to know how to control the situation and exits with an awkward, “I should get back to work.” She also seems to know what she wants, hooking up with a guy on Tinder, telling him the night will go his way, but in the morning he has get out and forget they ever met. Back at Sawyer’s pad just before the event goes down, Sawyer has a breakdown. Said dude, wise to the cloud of dysfunction, exits and then, through late-night Google searches for support groups and therapists, we learn that Sawyer has been the victim of a stalker up in our blessed Boston and relocated to a Pennsylvania burb to escape her pursuer’s reaches. Continue reading

Downsizing

24 Dec

 

You know that viral tiny house movement where folk show off cozy, cute mini abodes with all the home amenities amazingly in just 250 square feet? You may even have romanticized about trading your palatial digs for the micro version and living more simply. Nice idea, but not many of us would actually do it – we’re too attached to our big, consumptive lives measuring our worth in square feet and wallet size. But what if you could cut down on the consumptive part, stretch your dollar tenfold and live larger than if you won the Powerball jackpot? That’s somewhat the idea behind Alexander Payne’s “Downsizing” where, in the near future, dwindling resources reaching “Soylent Green” critical levels has triggered a worldwide movement to conserve and cut back without sacrificing the lush life.

If that sounds like a win-win, it is – except that to do so you must get shrunk down to five inches and live in domed enclaves full of mini mansions, rolling green golf courses and swank nightclubs and eateries. Once done, your $50-a-week food budget can cover you for half a year. It’s a choice, and the world is roughly split down the middle between bigs and littles. Occupational therapist Paul Safrenek (local boy Matt Damon, more in the news these days for his backfiring #MeToo opines) and his wife, Audrey (Kristen Wiig, in the film far too little) decide the only way to achieve the house of their dreams is to go small. The medical process isn’t so easy either, and god forbid you leave dental implants in during the process. The matter for Paul becomes a quest for self-discovery in a new land after his wife (genders separate as they do the process en masse and in the bare) balks in the eleventh hour before shrinkage and hops a jet elsewhere. Continue reading