Tag Archives: Captain Marvel

Avengers: Endgame

25 Apr

‘Avengers: Endgame’ was a long time coming, and it’s another exceptionally long time going

 

And so it begins, or ends, and no matter how you see it, it’s a long one. “Avengers: Endgame,” the de facto part two of “Avengers: Infinity War,” clocks in at more than three hours – 30 minutes longer than “Infinity” and chock full of maudlin eddies that should have been pared back. That said, “Endgame” gets the job done, passing the baton as it closes out a long-running chapter with some sentimental eye rubs. Where Disney’s Marvel Universe goes from here is likely a focus on new blood such as Black Panther (Chadwick Boseman) and Captain Marvel (Brie Larson). They’re both in “Endgame,” tossed in as inert garnish.

In case you need a rewind: At the end of “Infinity War,” Thanos (Josh Brolin), blessed with the unholy alignment of all six infinity stones (the power of a god to create and destroy), has eradicated half the life in the universe and, with that, half of the Avengers crew. We catch up with Iron Man/Tony Stark (Robert Downey Jr.) floating near-dead in space, Hawkeye (Jeremy Renner) searching desperately for his wife and children and Ant-Man (Paul Rudd) spit out unceremoniously of a five-year time warp – in a beat-up Ford Econoline or the like, to boot. The film moves along sluggishly for the first half-hour, and I’d be wrong to tell you fully how it flies, but the simple answer is: The remaining Avengers crew need to somehow turn back the clock. Given that this is Marvel, and a superhero fantasy (the opening with Traffic’s “Dear Mr. Fantasy” is nearly as ingenious as the use of “Mr. Blue Sky” in “Guardians of the Galaxy Vol. 2” – is there some mandate for classic rock songs with “Mr.” in the title in the Marvel Uni?) that time travel quest – with semi-hilarious film references to “Back to the Future” – happens sure enough, and the “Infinity War” with Thanos gets something of a do-over.

Before that the film notches some of its greatest self-deprecating wins, namely in that the buff god of thunder, Thor (Chris Hemsworth), some five years after Thanos’ win in Wakanda, is now a potbellied booze bag looking like the portly Val Kilmer, “large mammal” portrayal of the latter-years Jim Morrison in Oliver Stone’s “The Doors.” Or take the Hulk/Bruce Banner, (Mark Ruffalo) who has gotten his raging greenness and mild manner intellect to come to terms. And then there’s Hawkeye, who’s been bestowed the worst hairstyle imaginable – an unholy marriage of a mullet and a mohawk. How and why this choice was ever made is never explained and demands a film of its own, but yes, it’s a weird alternate reality out there, and not necessarily a bad one. As one observant Avenger points out, with half as many humans on the planet the water in the Hudson is now so clean, pods of a resurgent whale populations are hanging out where there were once toxically polluted slurries.

Ultimately “Endgame,” like “Infinity War,” both directed by the brothers Russo (Anthony and Joe, who made the far cheekier and superior “Civil War”) turns into a major CGI boggle of superheroes battling a herd of creepy-crawly things from another planet. Amid all the chaos there’s one gratuitous yet neat scene where an all-female phalanx of supers try to get the final wold-saving run done, and yes, Captain America (Chris Evans, with the requisite square-jawed woodenness)  is there to anchor the whole shebang; in very (too) small metes, we also get Samuel L. Jackson, Robert Redford and Tilda Swinton. It’s a very crowded affair.  Some big names and friends move on and out with a tear or two to be shed, but I was more struck by other matters looming at the edges of the frame, including nature’s resurgence in a less populated world, curiosity for how far Brie Larson and the “Captain Marvel” franchise can realistically go and, most of all, that haircut Renner is saddled with. It’s indelible and unshakable. If his Hawkeye could travel back in time to the 1990s there would be NHL hockey teams north of the border that would surely inject him in the first line based on hair alone.

Captain Marvel

9 Mar

‘Captain Marvel’: Back to the start, and 1990s, to introduce a powerful player in story’s end

 

Image result for captain marvel images

After much online debate and conjecture, “Captain Marvel” finally lands in theaters. After seeing the film I can say that all the hubbub is totally undeserved, a totally unnecessary distraction – including the attempts by trolls to sabotage box office through “review bombing.” It’s a fine enough superhero flick that in narrative arc is a lot smarter and more sharply developed than most, and on the emotional front it serves up a fitting and warm embrace of Marvel comics mastermind Stan Lee, who passed away late last year. The opening title sequence is rightfully all about Stan, and gets in a brief cameo that may just be his last. (Though with “Avengers Endgame” on the horizon, who knows?)

The film, the first in the Marvel Comics Universe to feature a female superhero, begins humbly, if not awkwardly, on an intergalactic outpost of the Kree (humanoids with blue blood) where the sets and fabric feel “Logan’s Run” levels of cheesy and ersatz. Vers (Brie Larson, and it’s pronounced “verse”) and her mentor, Yon-Rogg (Jude Law), get up in the middle of the night for a round of sparring; it seems Vers has weird dreams that keep her up at night, and she needs to work them out. Vers, we learn, is blessed with photon-charged hands that can blast an opponent across the room; as a result, she’s a big asset as part of an elite force on a mission to battle the evil Skrulls – wrinkly faced green aliens that look like a cross between a Klingon and the foreigners in “Alien Nation” (1988) – that have the ability to disguise themselves as most carbon life forms they encounter.

Blah, blah blah. It’s not until Vers lands on Earth (known as planet C-53, and “a real shithole” to the Kree) that the film starts to build real forward propulsion. It’s a wonderful sight gag when the intergalactic warrior plunges through the ceiling of a Blockbuster video (we’re in L.A., circa 1995) and one of the VHS boxes she peruses happens to be “The Right Stuff.” It’s sly foreshadowing, because in shards we begin to understand that in some form of a former life Vers was an earthling, and something of a Chuck Yeager-fashioned flight maverick. The film jumps to life when agent Nick Fury (Samuel L. Jackson), just launching S.H.I.E.L.D., arrives on scene, incredulous, boisterous and scene-chewing as only Jackson can be, and it’s the biggest and wisest use of Jackson in any of the Marvel films to date. In terms of timeline, it makes “Captain Marvel” something of a prequel to the whole Avengers series.  Continue reading