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The 11th Hour

16 Mar

The 11th Hour (published in Cineaste Magazine Vol. XXXIII, No 1)

 

If An Inconvenient Truth was a somber, sentimental warning about global warming and the repercussions that mankind could face after years of wasteful living, then The 11th Hour is a town crier, ampped up and propelled by a visceral montage projecting the imminent apocalypse. As the film has it, it’s not only the eleventh hour on the timepiece of doom, but 11:59:59 p.m. The future is a non issue  Yet for all its fire-and-brimstone certainty, The 11th Hour ultimately blossoms into a twenty-first-century PSA of sorts, buoyed by hope and optimism, providing solutions and answers where An Inconvenient Truth never did.

To deliver the bad news, the filmmakers, Leila Conners Petersen and Nadia Conners (sisters), along with producer and de facto narrator/host, Leonardo DiCaprio, have assembled an impressive battery of talking heads. Most are scientists and doctors gleaned from the far reaches of their obscure fields, though some, such as physicist Steven Hawking—so commanding and enigmatic a presence in Errol Morris’s A Brief History of Time—and healthy-living guru Andrew Weil, are immediately recognizable. Also in the eclectic mix are some stark and surprising choices. Continue reading

Chinese Box

16 Mar

From the Phoenix Archives May, 1998.

Puzzle Box

Wayne Wang’s Hong Kong story

by Tom Meek

CHINESE BOX, Directed by Wayne Wang. Written by Jean-Claude Carrière and Larry Gross based on a story by Paul Theroux, Wang, and Carrière. With Jeremy Irons, Gong Li, Maggie Cheung, Michael Hui, and Rubén Blades.

Wayne Wang’s reputation as a director has unfairly hung on the immense and largely synthetic success of The Joy Luck Club. Whereas his ethnic and cinematic pride infused Amy Tan’s stiff adaptation of her bestselling novel with a soaking visual richness, Wang later, in two improvisational collaborations with writer Paul Auster (Smoke and Blue in the Face), proved himself a free-spirited filmmaker as he rekindled the quirky, on-the-street atmosphere that had been absent from his works since his American debut, Chan Is Missing. That’s whyChinese Box is such a refreshingly raw, emotional odyssey: Continue reading